1982 · Italy
Nicol Vizioli is a mid-career established artist, who originates from Italy, like other well-known artists such as Mario Consiglio, Marcello Jori, Marco Conoci, Paolo Pellizzari, and Dorothy Bhawl. Nicol Vizioli was born in 1982.
Nicol Vizioli's Gallery representation
Nicol Vizioli is represented and exhibited by Officine dell'Immagine in Milan, Italy.
Historical Context of Italy
Italy has been tremendously lush in cultural influence since the time of the Romans, this classical period has exerted a major influence on the cultural growth and identity of the country. Italy also embodies the realm of the Renaissance, called 'Rinascita' in Italian, signifying 'rebirth'. The Renaissance has been considered, from the early 1400s, as the first extensive flowering of cultural sophistication in art, architecture, music, poetry, philosophy and politics since the Middle Ages. During the modern and contemporary period, Italy was afflicted by the fascism of Mussolini but has nevertheless remained as an important focal point for artistic expression, initiating movements such as Futurism, Arte Povera and the Minimalism related to the Zero Movement, as well as the expressive painting of the Transavanguardia. Important Italian artists of the twentieth and twenty first centuries include Giorgio Di Chirico, Giacomo Balla, Giorgio Morandi, Alberto Giacometti, Lucio Fontana, Michelangelo Pistoletto, Francesco Clemente and Mimmo Paladino.
Further Biographical Context for Nicol Vizioli
Born in 1982, Nicol Vizioli was predominantly influenced by the 1990s. A group of artists working in the United Kingdom, who came to be known as the YBAs, or Young British Artists, defined the artistic culture of the 1990s. Affiliated loosely by their age and nationality, they were a varied group of practitioners. A number of the YBAs attended the Royal College of Art and Goldsmiths in London, and were favoured by the ‘super collector’ of the time, Charles Saatchi. The most well known member of the group is Damien Hirst, and other members included Chris Ofili, Tracey Emin, Marc Quinn, Gavin Turk, Sarah Lucas and Sam Taylor-Johnson (née Sam Taylor-Wood). The YBAs became famous for their use of shock tactics and sensationalism, alongside their use of throwaway materials, wild lifestyles and an outlook that was rebellious yet commercial. Due to the high amount of media coverage that they garnered, they dominated British art during the 1990s, and their work was epitomised in the group show ‘Sensation’. Relational Aesthetics, a term coined by curator Nicholas Bourriaud to describe the act of creating art based on human relations and their social context, became a central idea in the 1990s. Works by artists including Douglas Gordon, Gillian Wearing, Philippe Parenno and Liam Gillick were described as key artists who worked to this agenda.
- Galleries Representing this Artist