1984 · United States
Neck Face is seen as an established mid-career artist, who originates from the United States, like other famous artists such as Irene Peschick, Robert Mendez, Karen Seapker, Maggie Lee, and Ezra Tessler. Neck Face was born in 1984.
Neck Face in private collections
It is the collector Jens-Peter Brask, who is in possession of art by Neck Face at Artland. Jens-Peter Brask also has works by other artists including Asger Dybvad Larsen, Thomas Flechtner, and Choi Jun Kun.
Historical Context of United States
The United States has been a major country in the development of modern and contemporary art in the twentieth century, particularly in the post war period, when the cultural prominence of New York asserted its influence over Paris, previously thought of as the most powerful art centre in the world. Major art movements established and fostered in significant ways throughout the United States include Abstract Expressionism in varied forms, Pop Art, including its West and East Coast variants, Minimalism, Conceptual Art, Neo-Expressionism, Graffiti and Street Art, plus a multitude of post-modern repetitions of these many types. In the modern and contemporary period, the United States has cultivated a powerful influence over the visual culture of the World, due to the authority of its economic and political systems. Key examples of critically acclaimed U.S artists of the modern and contemporary era include Jackson Pollock, Mark Rothko, Jasper Johns, Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Cindy Sherman, Barbara Kruger, Julian Schnabel, Jean-Michel Basquiat and Keith Haring.
Further Biographical Context for Neck Face
Neck Face was born in 1984 and was primarily inspired creatively by the 1990s. In the United Kingdom, a group of artists known as the YBAs, or Young British Artists, dominated the artistic culture of the decade. They were a loosely affiliated and diverse group, united generally by their age and nationality. A number of the members had attended the Royal College of Art and Goldsmiths in London, and were favoured by Charles Saatchi, the ‘super collector’ of art at the time. The most well-known member of the group is arguably Damien Hirst, and other members included Chris Ofili, Tracey Emin, Marc Quinn, Gavin Turk, Sarah Lucas and Sam Taylor-Johnson (née Sam Taylor-Wood). Through their use of shock tactics and sensationalism, the YBAs gained a controversial public image which was further fuelled by their use of throwaway materials, wild lifestyles and an attitude that was at the same time rebellious and enterprising. The group dominated the British art scene in the 1990s and their group show ‘Sensation’ is now viewed as legendary. Relational Aesthetics, a term coined by curator Nicholas Bourriaud to describe the act of making art based on human relations and their social context, became a influential idea in the 1990s. Works by artists like Douglas Gordon, Gillian Wearing, Philippe Parenno and Liam Gillick were described as significant artists who worked to this outline.