1947 · Switzerland
Monika Dillier is regarded as a well established artist, who originates from Switzerland, like other celebrated artists such as Kostas Maros, Karin Lehmann, Monica Germann, Daniela Keiser, and Christian Megert. Monika Dillier was born in 1947.
Monika Dillier's work are exhibited at the exhibition, Group exhibition at Stampa in Basel, Switzerland. The exhibition is currently open and closes on the 21 April 2020. Monika Dillier's only other recorded exhibition on Artland is Zusammen bringen was nicht zusammen gehört , which took place at Stampa in Basel, Switzerland (18 February 2019 - 05 April 2019).
Historical Context of Switzerland
Perhaps the most important Swiss contribution to the unravelling of Modernism was the establishment of the Dada movement in Zurich in 1916. Its founding members included Hugo Ball, Tristan Tzara, Jean Arp and Sophie Taeuber-Arp, Emmy Hennings, and Marcel Janco. Their headquarters, the Cabaret Voltaire, quickly metamorphosed into an prominent centre of the artistic and intellectual avant-garde, with the political neutrality Switzerland being a shelter from political instability elsewhere in Europe. Prior to that, Switzerland had originated some quirky and distinctive artists in the Post-Impressionist era of the early twentieth century, including Ferdinand Hodler and Felix Vallotton. Another essential movement that can be attributed to a Swiss artist was the ‘International Style’ of modernist architecture, pioneered by Le Corbusier. Le Corbusier may have become a French citizen in 1930, but he was born Charles-Édouard Jeanneret in the Neuchâtel canton of Switzerland in 1887. Indeed, his first autonomous projects were executed in his hometown of La Chaux-de-Fonds, including proto modern domestic villas for affluent local clients. Important Swiss artists of the twentieth century include Jean Tingely, Alberto Giacometti, John Armleder, Pipilotti Rist and Thomas Hirschhorn.
Further Biographical Context for Monika Dillier
Born in 1947, Monika Dillier was predominantly influenced by the 1960s. In the art sphere, a multitude of significant changes were also taking place. Pop Art, adopting the culture of mass media through the artworks of Andy Warhol, Roy Lichtenstein and Tom Wesselmann, was slowly breaking down the foundations on which the production and reception of art were built. Drawing from the imagery of popular culture and mass consumerism, the Pop Artists rejected the authority of highbrow art and created a cutting-edge movement, while Minimalism, simultaneously appearing, was rejecting any form of emotional expression and focused on art’s theoretical aspect – aspiring to pure visual responses. Honesty and an void of emotions were key concepts in the highly influential movement of Minimalism, represented by artists like Frank Stella, Donald Judd and Agnes Martin. Bored of the gestural elements of Abstract Expressionism, Minimalist artists focused on producing artworks mainly gathering polished, clean lines and geometrical elements. Digging further into some of the ideas inherent to Abstract Expressionism, artists such as Morris Louis, Kenneth Noland and Helen Frankenthaler practiced Colour Field Painting – strongly relating to Minimalism, with an essentially ruled-based approach, emptied of any emotional features. Several schools of philosophy deeply influenced creatives, Francis Bacon and Alberto Giacometti were artists fundamentally persuaded by the ideologies of Existentialism, who achieved worldwide fame through their depiction of the human form and the anguish often linked to the human condition. globally, an important number of art movements echoed with the radical changes of the 1960s, often prone to their own regional distinctions. In Italy, Lucio Fontana and Piero Manzoni initiated Spatialism, while in Germany, the Zero group espoused similar ideas under the leadership of Günther Uecker.