Monica Meira is an established contemporary artist. Monica Meira was born in 1949. Artists José Manuel Latre, John Coleman, Hubert Baumann, Joseph Davoli, and Carl Austin Hyatt are of the same generation.
Further Biographical Context for Monica Meira
Born in 1949, Monica Meira's creative work was largely inspired by the 1960s. Artistically, the decade began with the twin movements of Pop and Minimalism emerging alongside each other. On one hand, Pop championed the visual culture of the mainstream and mass media, and of products and consumerism. The work of art by artists such as Andy Warhol, Roy Lichtenstein, Tom Wesselmann and Claes Oldenberg was inspired by the popular culture of the fast developing Capitalism of the United States, taking things like advertising, comic books and ideas surrounding celebrity culture as their main visual inspiration. A parallel movement developed on the West Coast in California - a strain that also related to language in art, and is viewed as the very first flowerings of conceptual art. Minimalism developed a formal language with no external references, focused solely on line, colour and geometric form as key constituents of both painting and sculpture. The key figures of Minimalism included Frank Stella, Donald Judd and Agnes Martin. Colour Field painting, as practiced by Morris Louis, Kenneth Noland and Helen Frankenthaler, further explored some of the expressive notions of Abstract Expressionism, but removed much of the rhetoric, instead approaching a more rule-based approach to surface and colour that associated this practice with Minimalism. Around the world many artistic movements resonated the creative concerns of the previously mentioned movements, often with regional fortes and nuance. In Italy, Lucio Fontana and Piero Manzoni developed Spatialism, and in Germany the Zero group under the leadership of Gunter Uecker adopted similar ideas. The influential school of Existentialist Philosophy was an important source of inspiration for artists, with artists like Francis Bacon and Alberto Giacometti achieving international prominence for their distinguishing approaches to the human form and the anguish related to the human condition.