Miroslav Mužík is considered as a well established. Miroslav Mužík was born in 1957. Artists Fabiana De Barros, Vera Barnett, Emmanuel Fillot, Peter Hellemons, and Luz Ferra are of the same generation.
Further Biographical Context for Miroslav Mužík
Born in 1957, Miroslav Mužík was predominantly inspired by the 1970s growing up. The art sphere of the 1970s was epitomized by a longing to evolve and reinforce itself, as a reaction to the many conflicts of the previous decade. One of the most central movement of the 1970s was Conceptualism, which emerged as an offshoot of Minimalism, while the experimental, creative voyage of Process art emerged by combining essential elements of Conceptualism with further considerations on art itself. The earliest ideas of environmentalism sprung from Land Art, which took art into earth itself, carving the land and bringing art to the outdoors. For the first time since the decline of Abstract Expressionism, Expressive figure painting slowly re-emerged and regained its status, especially in Germany through the works of world renowned figures Gerhard Richter, Anselm Kiefer and Georg Baselitz. Most of the leading artistic figures of the 1960s remained highly influential and popular throughout the 1970s. Andy Warhol, for example, fortified his status as a legendary artist, by bifurcating into film and magazine publishing, thus introducing a ground-breaking concept of cross-cultural activity for a visual artist of such fame. In the eastern part of the globe, Japanese and Korean artists who showed a strong interest in the European ideologies of phenomenology, associated with the Mono-Ha movement, exploring and shifting the frontiers between natural and industrial materials. Using stone, glass, cotton, sponge, wood, oil and water, they intended to give life to artworks that would emphasize the ephemeral state of these various elements and their surroundings, playing with their interdependency.