1943 · France
Michel Duport is seen as an established contemporary artist, who was born in France - other established artists such as Derek Weisberg, Maurice Estève, Charles Meryon, Agathe Pitié, and Sp.38 were also born in France. Michel Duport was born in 1943.
Galleries and Exhibitions
Michel Duport's work is available on display in Galerie Faure Beaulieu and Baudoin Lebon in Paris, France. Michel Duport's work has most recently been displayed during the exhibition Living room at Galerie Jérôme Pauchant in Paris, France. The exhibition was open from 23 January 2020 until 21 February 2020.
Historical Context of France
France strikes out as one of the most prominent agents of modernism. What is today known as the avant-garde was pioneered in the first half of the nineteenth century, and embraced innovative and ground-breaking movements such as Impressionism, Post-impressionism and Art Nouveau, led by key figures of the art sphere. Applauded and dominant French artists from the beginning of the twentieth century include Paul Cezanne, Pablo Picasso, Georges Braque, although he initially was a Spanish national who relocated in France, as well as Francis Picabia, Marcel Duchamp, Man Ray, and Le Corbusier, to name a few. Paris was considered to be the most important and intellectual artistic centre at the start of the century and contributed to the development of such vital movements as Cubism, Fauvism, Dadaism and Surrealism, amongst others, which appeared in the post war era.
Further Biographical Context for Michel Duport
Michel Duport was born in 1943 and was as deeply indebted to the events of the 1960s as their formative influences. In the art world, a multitude of significant changes were also taking place. Pop Art, embodying the culture of mass media through the artworks of Andy Warhol, Roy Lichtenstein and Tom Wesselmann, was slowly breaking down the bases on which the creation and reception of art were built. Drawing from the imagery of popular culture and mass consumerism, the Pop Artists refuted the authority of highbrow art and created a cutting-edge movement, while Minimalism, simultaneously appearing, was rejecting any form of emotional manifestation and focused on art’s theoretical features – aspiring to pure visual responses. Simplicity and an emptiness of emotions were key concepts in the highly influential movement of Minimalism, embodied by artists such as Frank Stella, Donald Judd and Agnes Martin. Uninterested in the gestural elements of Abstract Expressionism, Minimalist artists focused on producing artworks mainly gathering polished, clean lines and geometrical elements. Exploring further into some of the concepts inherent to Abstract Expressionism, artists such as Morris Louis, Kenneth Noland and Helen Frankenthaler practiced Colour Field Painting – decidedly relating to Minimalism, with an essentially ruled-based approach, emptied of any expressive features. Several schools of philosophy deeply influenced creatives, Francis Bacon and Alberto Giacometti were artists fundamentally seduced by the ideas of Existentialism, who achieved worldwide success through their depiction of the human form and the lament often associated with the human condition. globally, a significant number of art movements resonated with the radical changes of the 1960s, often prone to their own regional distinctions. In Italy, Lucio Fontana and Piero Manzoni initiated Spatialism, while in Germany, the Zero group adopted similar ideas under the leadership of Günther Uecker.