Michael Vincent Murphy
Michael Vincent Murphy was a visual artist. Michael Vincent Murphy was born in 1943. Artists Juan José Gomez Molina, Hans-Hagen Hartter, Fu Shifang, Hagen Hoffmann, and François Le Roux are of the same generation.
Further Biographical Context for Michael Vincent Murphy
Born in 1943, Michael Vincent Murphy was largely influenced by the 1960s growing up. The 1960s were a sensational decade internationally, witnessing a great increase of modernist philosophies and trends. It was the era of Kennedy and Kruschev, and the beginning of the Cold War, which would endure for most of the second half of the 20th century, and was characterised most symbolically by the construction of the Berlin Wall in 1961. The Iron Curtain divided Eastern and Western Europe, both ideologically and literally, and student political uprisings took place around the world. Psychedelia, an vast increase in consumerism, and the associated trends of marketing and advertising further epitomised the era. Minimalism developed a formal language with no external references, based solely on line, colour and geometric form as key elements of both painting and sculpture. The significant figures of Minimalism included Frank Stella, Donald Judd and Agnes Martin. Colour Field painting, as practiced by Morris Louis, Kenneth Noland and Helen Frankenthaler, further developed some of the expressive ideas of Abstract Expressionism, but reduced much of the rhetoric, instead approaching a more rule-based approach to surface and colour that associated this practice with Minimalism. Around the world many artistic movements resonated the artistic concerns of the previously mentioned movements, often with regional fortes and nuance. In Italy, Lucio Fontana and Piero Manzoni developed Spatialism, and in Germany the Zero group under the leadership of Gunter Uecker adopted similar ideas. The influential school of Existentialist Philosophy was an important source of inspiration for artists, with artists like Francis Bacon and Alberto Giacometti achieving international prominence for their distinguishing approaches to the human form and the angst related to the human condition.