1955 · United States
Michael Rouillard is a contemporary artist considered well established, who was born and brought up in the United States. Michael Rouillard was born in 1955. Born in the same country and of the same generation are Felix Gonzalez-Torres, Bill Viola, Tony Oursler, Cindy Sherman and Keith Haring.
Galleries and Exhibitions
Michael Rouillard's work is available on display in Pablo's Birthday and Minus Space in New York, the United States. Michael Rouillard most recent exhibition recorded on Artland was at Pablo's Birthday in New York with the exhibition Seen/Unseen.... The exhibition was open from 09 January 2020 until 15 February 2020.
Historical Context of United States
The United States has been a prominent country in the evolution of modern and contemporary art in the twentieth century, especially in the post war era, when the cultural status of New York asserted its influence over Paris, formerly thought of as the most important art hub internationally. Leading art movements established and cultivated in significant ways throughout the United States include Abstract Expressionism in varied forms, Pop Art, including its West and East Coast variants, Minimalism, Conceptual Art, Neo-Expressionism, Graffiti and Street Art, plus a multitude of post-modern echoes of these many movements. In the modern and contemporary period, the United States has cultivated a prevailing influence over the worldwide visual culture, due to the dominion of its economic and political systems. Key examples of world renowned U.S artists of the modern and contemporary era include Jackson Pollock, Mark Rothko, Jasper Johns, Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Cindy Sherman, Barbara Kruger, Julian Schnabel, Jean-Michel Basquiat and Keith Haring.
Further Biographical Context for Michael Rouillard
Born in 1955, Michael Rouillard was largely inspired by the 1970s. Conceptualism is often perceived as a response to Minimalism, and the dominant art movement of the 1970s, challenging the boundaries of art with its revolutionary features. The movements that ensued were all characteristic of a strong desire to progress and consolidate the art world, in response to the tensions of the previous 1960s. Process art branched out from Conceptualism, highlighting some of its most essential aspects, but going further in creating mysterious and experimental artistic journeys, while Land Art brought creation to the outdoors, initiating early ideas of environmentalism. In Germany, Expressive figure painting was given another chance for the first time since the decline of Abstract Expressionism almost two decades, the genre reclaimed its distinction through the brushstrokes of Gerhard Richter, Anselm Kiefer and Georg Baselitz. Most of the critically acclaimed artists from the 1960s, who had gained success and fame, kept their status in the 1970s. Andy Warhol was a prominent figure of those two decades, and in the 1970s started to experiment with film and magazine publishing, thus engaging in a cross-platform activity that no other visual artist OF his standard had previously undertaken. By doing so, he secured his status as a celebrity. The critically engaged Mono-Ha movement, comprised of Japanese and Korean artists, flourished in Tokyo in the 1970s. Discarding conventional ideas of representation, the artists favoured a depiction of the world through an engagement with materials and an exploration of their properties. The artworks would often consist of encounters between natural and industrial materials such as stone, glass, cotton, sponge, wood, oil and water, mostly unaltered intact.