1960 · United States
Michael Rees is an established contemporary artist, who originates from the United States. Michael Rees was born in 1960. Artists Kara Walker, Jason Rhoades, Ellen Gallagher, Andrea Zittel, Elizabeth Peyton, Rob Pruitt and Jean Michel Basquiat are of the same generation and same country as Michael Rees.
Historical Context of United States
The United States has been a prominent country in the evolution of modern and contemporary art in the twentieth century, especially in the post war era, when the cultural prominence of New York assumed primacy over Paris, formerly thought of as the most powerful art hub internationally. Leading art movements developed and cultivated in significant ways throughout the United States include Abstract Expressionism in various forms, Pop Art, including its West and East Coast branches, Minimalism, Conceptual Art, Neo-Expressionism, Graffiti and Street Art, plus a multitude of post-modern echoes of these many movements. In the modern and contemporary era, the United States has cultivated a powerful influence upon the global visual culture, due to the dominion of its economic and political structures. Key examples of important U.S artists of the modern and contemporary era include Jackson Pollock, Mark Rothko, Jasper Johns, Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Cindy Sherman, Barbara Kruger, Julian Schnabel, Jean-Michel Basquiat and Keith Haring.
Further Biographical Context for Michael Rees
Born in 1960, Michael Rees' creative work was largely inspired by the 1970s. The 1970s were a period of consolidation and progress in the arts, most often defined as a response to the central stresses of the previous decade. Conceptual art developed as a key movement, and was in part an evolution of and response to minimalism. Land Art took the works of art into the extensive outdoors, taking creative production away from commodities and engaging with the earliest ideas of environmentalism. Process art combined elements of conceptualism with other formal considerations, creating esoteric and experimental bodies of work. Expressive figurative painting began to regain importance for the first time since the decline of Abstract Expressionism twenty years prior, especially in Germany where Gerhard Richter, Anselm Kiefer, Georg Baselitz became highly respected figures worldwide. New York maintained an prominent position in the international art scene, ensuring that international artists continued to flock to the galleries, bars and downtown scene in the city. The largely Italian Arte Povera Movement gained world-wide recognition during the 1970s, with artists like Jannis Kounnelis, Mario Merz, and Michelangelo Pistoletto achieving worldwide praise.