Michael Nakoneczny

1952 · United States

Artist biography

Michael Nakoneczny is seen as an established artist, who originates from the United States. Michael Nakoneczny was born in 1952. Born in the same country and of the same generation are Jenny Holzer, Bill Viola, Carrie Mae Weems, Cindy Sherman and Jeff Koons.

Michael Nakoneczny's Gallery representation

Michael Nakoneczny's work is on display at Zolla/Lieberman Gallery located in Chicago, the United States.

Historical Context of United States

The US, especially New York city, endures as a focal point that has played a substantial role in developing modern and contemporary art in the twentieth century. The concept of New York as a new cosmopolitan and highly influential art hub emerged in the post war era, and the city thrived in asserting its dominance over Paris, which used to be regarded as the most powerful global art centre. The predominance of the political and economic institutions of the United States in the modern sphere has provided the country with a powerful influence on the visual culture of the world. Abstract Expressionism, Pop Art, Minimalism, Conceptual Art, Neo-Expressionism, Graffiti and Street Art, are influential art movements that blossomed in the United States. These very movements also echoed into a multitude of variations, such as alternative forms of Abstract Expressionism, as well as East and West Coast adaptations of Pop Art, among others. Some internationally distinguished U.S artists of the contemporary period age include Jackson Pollock, Mark Rothko, Jasper Johns, Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Cindy Sherman, Barbara Kruger, Julian Schnabel, Jean-Michel Basquiat and Keith Haring.

Further Biographical Context for Michael Nakoneczny

Michael Nakoneczny was born in 1952 and was primarily influenced creatively by the 1970s. Conceptualism is often perceived as a response to Minimalism, and the dominant art movement of the 1970s, challenging the boundaries of art with its revolutionary features. The movements that succeeded were all characteristic of a strong desire to evolve and strengthen the art world, in response to the tensions of the previous decade. Process art branched out from Conceptualism, highlighting some of its most essential aspects, but going further in creating mysterious and experimental artistic journeys, while Land Art brought creation to the outsides, initiating early ideas of environmentalism. In Germany, Expressive figure painting was given another chance for the first time since the decline of Abstract Expressionism almost twenty years ago, the genre reclaimed its prominence through the brushstrokes of Gerhard Richter, Anselm Kiefer and Georg Baselitz. Most of the critically acclaimed artists from the 1960s, who had gained success and fame, kept their status in the 1970s. Andy Warhol was a prominent figure of those two decades, and in the 1970s started to experiment with film and magazine publishing, thus engaging in a cross-cultural activity that no other visual artist OF his standard had previously undertaken. By doing so, he secured his status as a celebrity. The critically engaged Mono-Ha movement, comprised of Japanese and Korean artists, blossomed in Tokyo in the 1970s. Discarding conventional ideas of representation, the artists favoured a depiction of the world through an engagement with materials and an examination of their properties. The artworks would often consist of encounters between natural and industrial materials such as stone, glass, cotton, sponge, wood, oil and water, mostly unchanged intact.

Michael Nakoneczny

  • Exhibitions 1

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