1970 · Italy
Max Papeschi is a mid-career contemporary visual artist, who originates from Italy. Max Papeschi was born in 1970. Some of the artist's contemporarie that are from the same generation and country include Maurizio Cattelan and Grazia Toderi.
Historical Context of Italy
Italy has been vastly lush in cultural power since the time of the Romans, this classical period has exerted a fascinating influence on the cultural development and distinctiveness of the country. Italy also embodies the country of the Renaissance, called 'Rinascita' in Italian, signifying 'rebirth'. The Renaissance has been considered, from the early 1400s, as the first extensive flowering of cultural sophistication in art, architecture, music, poetry, philosophy and politics since the Middle Ages. Throughout the modern and contemporary period, Italy was afflicted by the fascism of Mussolini but has nevertheless endured as a vital focal point for artistic expression, initiating movements such as Futurism, Arte Povera and the Minimalism related to the Zero Movement, as well as the expressive painting of the Transavanguardia. Important Italian artists of the twentieth and twenty first centuries include Giorgio Di Chirico, Giacomo Balla, Giorgio Morandi, Alberto Giacometti, Lucio Fontana, Michelangelo Pistoletto, Francesco Clemente and Mimmo Paladino.
Further Biographical Context for Max Papeschi
Max Papeschi was born in 1970 and was primarily inspired creatively by the 1990s growing up. In the United Kingdom, a collective of artists known as the YBAs, or Young British Artists, dominated the artistic culture of the decade. They were a loosely affiliated and diverse group, united generally by their age and nationality. A number of the members had attended the Royal College of Art and Goldsmiths in London, and were favoured by Charles Saatchi, the ‘super collector’ of art at the time. The most well-known member of YBAs is arguably Damien Hirst, and other members included Chris Ofili, Tracey Emin, Marc Quinn, Gavin Turk, Sarah Lucas and Sam Taylor-Johnson (née Sam Taylor-Wood). Through their use of shock tactics and sensationalism, the YBAs gained a controversial reputation image which was further fuelled by their use of throwaway materials, wild lifestyles and an attitude that was at the same time rebellious and entrepreneurial. The group dominated the British art scene in the 1990s and their group show ‘Sensation’ is now viewed as legendary. Relational Aesthetics, a term coined by curator Nicholas Bourriaud to describe the act of making art based on human relations and their social context, became a leading idea in the 1990s. Works by artists including Douglas Gordon, Gillian Wearing, Philippe Parenno and Liam Gillick were described as key artists who worked to this outline.