Mathieu Matevski is an established contemporary artist. Mathieu Matevski was born in 1946. Artists Adrian Gemelli, Long Chunli, Mari Carmen Naranjo, Claude Fossoux, and Vito Galfano are of the same generation.
Further Biographical Context for Mathieu Matevski
Born in 1946, Mathieu Matevski was primarily influenced by the 1960s growing up. The 1960s were an explosive decade internationally, witnessing a proliferation of modernist ideas and trends. It was the era of Kennedy and Kruschev, and the beginning of the Cold War, which would endure for most of the second half of the twentieth century, and was epitomised most symbolically by the construction of the Berlin Wall in 1961. The Iron Curtain divided Eastern and Western Europe, both ideologically and literally, and student political uprisings took place globally. Psychedelia, an vast increase in consumerism, and the associated trends of marketing and advertising further defined the era. Minimalism developed a formal language with no external references, based solely on line, colour and geometric form as key elements of both painting and sculpture. The significant figures of Minimalism included Frank Stella, Donald Judd and Agnes Martin. Colour Field painting, as practiced by Morris Louis, Kenneth Noland and Helen Frankenthaler, further developed some of the expressive ideas of Abstract Expressionism, but stripped away much of the rhetoric, instead approaching a more rule-based approach to surface and colour that associated this practice with Minimalism. Globally, many artistic movements resonated the artistic concerns of the previously mentioned movements, often with regional specialties and nuance. In Italy, Lucio Fontana and Piero Manzoni established Spatialism, and in Germany the Zero group under the leadership of Gunter Uecker espoused similar ideas. The influential school of Existentialist Philosophy was an important source of inspiration for creatives, with artists like Francis Bacon and Alberto Giacometti becoming known worldwide for their distinguishing approaches to the human form and the angst related to the human condition.