1972 · Italy
Marzia Migliora is a mid-career established artist, who originates from Italy, like other renowned artists such as Festa Tano, Frsco Clemente, Di Matteo Gabriele, Stefano Faoro, and Fabrizio Plessi. Marzia Migliora was born in 1972.
Historical Context of Italy
Italy has been vastly sumptuous in cultural influence since the time of the Romans, this classical period has exerted a major influence on the cultural growth and distinctiveness of the country. Italy is also the realm of the Renaissance, called 'Rinascita' in Italian, signifying 'rebirth'. The Renaissance has been considered, from the early 1400s, as the first major flowering of cultural sophistication in art, architecture, music, poetry, philosophy and politics since the Middle Ages. Throughout the modern and contemporary period, Italy was tormented by the fascism of Mussolini but has nonetheless remained as a vital heart for artistic expression, initiating movements such as Futurism, Arte Povera and the Minimalism related to the Zero Movement, as well as the expressive painting of the Transavanguardia. Important Italian artists of the twentieth and twenty first centuries include Giorgio Di Chirico, Giacomo Balla, Giorgio Morandi, Alberto Giacometti, Lucio Fontana, Michelangelo Pistoletto, Francesco Clemente and Mimmo Paladino.
Further Biographical Context for Marzia Migliora
Marzia Migliora was born in 1972 and was primarily inspired by the 1990s. Art in the 1990s was defined at the beginning of the decade by a group of artists in the United Kingdom that came to be known as the YBAs, or Young British Artists. They were a diverse collective of creatives, affiliated loosely by their age, nationality, and their association with Goldsmiths and the Royal College of Art in London, as well as being favoured by super collector of the time Charles Saatchi. The most renowned artist of the group is Damien Hirst, who was also an early organiser of group activities. Other artists included Chris Ofili, Tracey Emin, Marc Quinn, Gavin Turk, Sarah Lucas and Sam Taylor-Wood. Much of their art became noted for shock tactics and the sensationalism of both material and message. They also became known for their use of throwaway materials, wild-living, and an attitude that was simultaneously counter-culture rebellion but also entrepreneurial. They gained considerable amount of media coverage and dominated British art during the decade. Their international shows in the mid-1990s included the now legendary ‘Sensation'. Also gaining prominence at this time was a developing trend in Japan related to the huge boom in advertising and consumerism that took place during the economic dominance of the 1980s. The indigenous comic book culture of manga, allied to trends in advertising, graphic design and packaging, saw a young artist called Takashi Murakami develop his theories which he coined ’Superflat’. Influenced by his experiences in New York City in the mid-1990s, Murakami formed a powerful collective called Kaikaikiki, which became internationally renowned as an artistic group.