Marijn Alexander Morée
Further Biographical Context for Marijn Alexander Morée
Born in 1957, Marijn Alexander Morée was primarily influenced by the 1970s. The art sphere of the 1970s was characterized by a longing to evolve and reinforce itself, as a response to the many conflicts of the previous decade. One of the most central movement of the 1970s was Conceptualism, which appeared as an offshoot of Minimalism, while the experimental, creative journey of Process art materialized by combining essential aspects of Conceptualism with further reflections on art itself. The initial ideas of environmentalism bounced from Land Art, which took art into earth itself, carving the land and bringing art to the outdoors. For the first time since the decline of Abstract Expressionism, Expressive figure painting slowly re-emerged and regained its status, particularly in Germany through the works of critically acclaimed figures Gerhard Richter, Anselm Kiefer and Georg Baselitz. Most of the leading artistic figures of the 1960s remained greatly influential and admired throughout the 1970s. Andy Warhol, for instance, fortified his reputation as a legendary artist, by branching out into film and magazine publishing, thus instituting a ground-breaking concept of cross-cultural activity for a visual artist of such popularity Artists such as Jannis Kounnelis, Mario Merz, and Michelangelo Pistoletto attained international success, as they were widely acknowledged as renowned members of the Italian movement Arte Povera, critically acclaimed in the 1970s.