1978 · Italy
Mariconti Andrea is is an established, mid-career contemporary artist, who originates from Italy, like other renowned artists such as Anna Muskardin, Marco Strappato, Piero Fogliati, Uncini Giuseppe, and Alessandro Morra. Mariconti Andrea was born in 1978.
Historical Context of Italy
The classical era of the Romans has exerted a consequential influence on the cultural and intellectual evolution of Italy, contributing to the uniqueness of the country and its sumptuous artistic heritage. Italy is also the country that embodies the Renaissance, “Riniscita” in its original language, which signifies “rebirth”. From the early 1400s, the Renaissance has been an intense period of cultural and political flourishing, engendering revivals in art, architecture, music, poetry and philosophy. Although significantly affected by the fascism of Mussolini in the modern and contemporary era, Italy has never lost its place as one of the most fundamental artistic centres, home to cutting-edge movements such as Futurism and Arte Povera, as well as the expressive painting of the Transavanguardia and the Minimalism related to the Zero Movement. Some highly influential Italian artists from the twentieth and twenty first centuries include Giorgio Di Chirico, Giacomo Balla, Giorgio Morandi, Alberto Giacometti, Lucio Fontana, Michelangelo Pistoletto, Francesco Clemente and Mimmo Paladino.
Further Biographical Context for Mariconti Andrea
Mariconti Andrea was born in 1978 and was primarily inspired by the 1990s. Art in the 1990s was defined at the beginning of the decade by a group of artists in the United Kingdom that came to be known as the YBAs, or Young British Artists. They were a diverse collective of practitioners, affiliated loosely by their age, nationality, and their association with Goldsmiths and the Royal College of Art in London, as well as being favoured by super collector of the time Charles Saatchi. The most successful artist of the group is Damien Hirst, who was also an early organiser of group activities. Other artists included Chris Ofili, Tracey Emin, Marc Quinn, Gavin Turk, Sarah Lucas and Sam Taylor-Wood. Much of their work became famous for shock tactics and the sensationalism of both material and message. They also became known for their use of throwaway materials, wild-living, and an attitude that was simultaneously counter-culture rebellion but also entrepreneurial. They achieved considerable amount of media coverage and dominated British art during the decade. Their international shows in the mid-1990s included the now legendary ‘Sensation'. Relational Aesthetics became a key idea. It was a term coined by curator Nicholas Bourriaud in the 1990s to describe the tendency to make art based on, or inspired by, human relations and their social context. Works by artists like Douglas Gordon, Gillian Wearing, Philippe Parenno and Liam Gillick were described as key artists who worked to this idea.
- Galleries Representing this Artist