Margherita Spiluttini

1947 · Austria

Artist biography

Margherita Spiluttini is regarded as a well established artist, who was born and brought up in Austria, like other celebrated artists such as Agnes Fuchs, Egon Schiele, Christine Hohenbüchler, Elisabeth Wild, and Nick Oberthaler. Margherita Spiluttini was born in 1947.

Galleries and Exhibitions

Margherita Spiluttini's work is available for viewing at Christine König Galerie in Vienna, Austria. Margherita Spiluttini's work has most recently been displayed during the exhibition BOOKS + PAPERS II at Christine König Galerie in Vienna, Austria. The exhibition was open from 27 June 2019 until 30 August 2019.

Historical Context of Austria

At the start of the 20th century, Austria was among the most innovative and culturally progressive countries. It fostered key developments in the Arts and Crafts Movement and Art Nouveau, called Jugendstil in German, from around 1895 to 1910, forming a key bridge between the nineteenth century and the onset of modernism. This kind of progressive, avant-garde thinking led directly into the Viennese Secession movement, one of the key art and design movements of the early twentieth century. It was formed in 1897 by a group of Austrian painters, graphic artists, sculptors and architects, including Josef Hoffman Koloman Moser, Otto Wagner, and Gustave Klimt, when artists resigned, en masse, from the Association of Austrian Artists in protest against its support for more traditional artistic styles. and an exchange of ideas with artists outside Austria, disputing artistic nationalism, renewing the decorative arts and, most crucially, creating a "total art (Gesamtkunstwerk)" that unified painting, architecture, and the decorative arts. The group was strongly opposed to the dominance of the official Vienna Academy of the Arts (the Vienna Künstlerhaus), and official art salons, with their traditional orientation toward Historicism. Ultimately the group broke apart, the decorative artists choosing instead to focus on a new guild called the Wiener Werkstatte. In the late 1930s, Austria was annexed by the growing force of Hitler's Nazi Germany, an act known as the Anschluss, and which organised Austria into a province of a greater German Reich. During this period, like in Germany, the Avant-garde was labelled 'Entartete Kunst', translating to 'degenerate art', and was oppressed with only 'official' social realist art being approved, or even allowed by the state. Consequently, there was a significant exodus of creative talent who decided that their interests would be best served by moving to London or New York. In the 20th century, important Austrian artists included Josef Hoffman, Gustav Klimt, Egon Schiele, Herbert Bayer (the typography and graphic design pioneer of the Bauhaus), architect and designer Josef Frank, Oskar Kokoschka, Alfred Kubin, Friedensreich Hundertwasser, Maria Lassnig, Hermann Nitsch, Arnulf Rainer, Franz West and Erwin Wurm.

Further Biographical Context for Margherita Spiluttini

Born in 1947, Margherita Spiluttini was primarily influenced by the 1960s growing up. The 1960s were an explosive decade internationally, bearing witness to proliferation of modernist ideas and trends. It was the era of Kennedy and Kruschev, and the start of the Cold War, which would endure for most of the second half of the twentieth century, and was characterised most symbolically by the construction of the Berlin Wall in 1961. The Iron Curtain divided Eastern and Western Europe, both ideologically and literally, and student political uprisings took place globally. Psychedelia, an enormous increase in consumerism, and the associated trends of marketing and advertising further epitomised the era. Minimalism developed a formal language with no external references, predicated solely on line, colour and geometric form as key components of both painting and sculpture. The significant figures of Minimalism included Frank Stella, Donald Judd and Agnes Martin. Colour Field painting, as practiced by Morris Louis, Kenneth Noland and Helen Frankenthaler, further explored some of the expressive ideas of Abstract Expressionism, but removed much of the rhetoric, instead approaching a more rule-based approach to surface and colour that associated this practice with Minimalism. Around the world a number of artistic movements echoed the artistic concerns of the above mentioned movements, often with regional specialties and nuance. In Italy, Lucio Fontana and Piero Manzoni established Spatialism, and in Germany the Zero group under the leadership of Gunter Uecker espoused similar ideas. The influential school of Existentialist Philosophy was an important source of inspiration for artists, with artists like Francis Bacon and Alberto Giacometti achieving international prominence for their idiosyncratic approaches to the human form and the angst related to the human condition.

Margherita Spiluttini

  • Exhibitions 2

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