Marcelo Martinez Ramos
Marcelo Martinez Ramos is seen as an established contemporary artist. Marcelo Martinez Ramos was born in 1946. Artists born in the same year and of the same generation are Charles Arnoldi, Ivan Egorovich Bazanov, Richard Slee, Than Kywe, and Robert D. Blue.
Further Biographical Context for Marcelo Martinez Ramos
Marcelo Martinez Ramos was born in 1946 and was largely influenced creatively by the 1960s growing up. In the art sphere, a multitude of powerful changes were also taking place. Pop Art, embodying the culture of mass media through the works of Andy Warhol, Roy Lichtenstein and Tom Wesselmann, was gradually breaking down the foundations on which the creation and reception of art were built. Getting inspired from the imagery of popular culture and mass consumerism, the Pop Artists rejected the authority of highbrow art and created a cutting-edge movement, while Minimalism, simultaneously appearing, was rejecting any form of emotional expression and focused on art’s theoretical aspect – aiming for pure visual responses. Simplicity and an void of emotions were key concepts in the highly influential movement of Minimalism, embodied by artists like Frank Stella, Donald Judd and Agnes Martin. Uninterested in the gestural elements of Abstract Expressionism, Minimalist artists focused on delivering artworks mainly composed of polished, pure lines and geometrical elements. The very first flourishing of Conceptualism was highly influenced by the simplicity of Minimalism but went further in denying all pre-existing conceptions inherent to art, similarly to what Pop Artists were trying to achieve by elevating popular culture to the status of high art. Several schools of philosophy profoundly influenced creatives, Francis Bacon and Alberto Giacometti were artists fundamentally seduced by the ideologies of Existentialism, who achieved worldwide fame through their depiction of the human form and the lament often associated with the human condition. Internationally, a significant number of art movements resounded with the radical changes of the 1960s, often prone to their own regional distinctions. In Italy, Lucio Fontana and Piero Manzoni created Spatialism, while in Germany, the Zero group adopted similar ideas under the leadership of Günther Uecker.