1958 · Switzerland
Marcel Bernet is regarded as a well established artist, who originates from Switzerland, like other renowned artists such as Tres Camenzind, Walter Bodmer, Patrick Lo Giudice, John M. Armleder, and Nicolas Steiner. Marcel Bernet was born in 1958.
Marcel Bernet's exhibition
Marcel Bernet's work has most recently been displayed during the exhibition Skulpturengarten at Jedlitschka Gallery in Zurich, Switzerland. The exhibition was open from 03 May 2019 until 01 November 2019.
Historical Context of Switzerland
Perhaps the most significant Swiss contribution to the unravelling of Modernism was the formation of the Dada movement in Zurich in 1916. Its initial members included Hugo Ball, Tristan Tzara, Jean Arp and Sophie Taeuber-Arp, Emmy Hennings, and Marcel Janco. Their headquarters, the Cabaret Voltaire, quickly became an vital centre of the artistic and intellectual avant-garde, with the political neutrality Switzerland being a shelter from political uncertainty elsewhere in Europe. Beforehand, Switzerland had originated some quirky and extraordinary artists in the Post-Impressionist span of the early twentieth century, including Ferdinand Hodler and Felix Vallotton. Another major movement that can be connected to a Swiss artist was the ‘International Style’ of modernist architecture, pioneered by Le Corbusier. Le Corbusier might have become a French citizen in 1930, but he was born Charles-Édouard Jeanneret in the Neuchâtel canton of Switzerland in 1887. Indeed, his first independent projects were executed in his hometown of La Chaux-de-Fonds, including proto modern domestic villas for affluent local clients. Important Swiss artists of the twentieth century include Jean Tingely, Alberto Giacometti, John Armleder, Pipilotti Rist and Thomas Hirschhorn.
Further Biographical Context for Marcel Bernet
Marcel Bernet was born in 1958 and was predominantly inspired creatively by the 1970s. The 1970s were a period of consolidation and progress in the arts, most often defined as a response to the dominant tensions of the preceding decade. Conceptual art emerged as a key movement, and was in part an evolution of and response to minimalism. Land Art took the works of art into the spacious outdoors, taking creative production away from commodities and looking to engage with the earliest ideas of environmentalism. Process art combined elements of conceptualism with other formal considerations, creating esoteric and experimental bodies of work. Expressive figurative painting began to regain importance for the first time since the decline of Abstract Expressionism twenty years prior, especially in Germany where Gerhard Richter, Anselm Kiefer, Georg Baselitz became highly influential figures worldwide. New York maintained an prominent position in the international art scene, ensuring that global artists continued to gravitate to the galleries, bars and downtown scene there. International movements gained popularity included feminism, which translated strongly into the visual culture, and photorealism which had begun in the 1960s and enjoyed momentous commercial and critical achievements. For the first time painters and sculptors from Latin America were embraced by the leading critical and institutional levers in New York.