1945 · United Kingdom
Maggi Hambling is a contemporary artist considered well established, who was born in the United Kingdom. Maggi Hambling was born in 1945. Born in the same country and around the same year are Maggi Hambling, Richard Cook and Phyllida Barlow.
Maggi Hambling's exhibition
Maggi Hambling most recent exhibition recorded on Artland was at Charlie Smith London in the United Kingdom (16 January 2020 until 07 February 2020) with the exhibition Words that transform, vibrate and glow: 13 paintings inspired by the lyrics of Nick Cave.
Historical Context of United Kingdom
Through colonisation and the consequent ascent of its Empire, the United Kingdom reached the status of a giant, although the wealth and economic power did not shelter it from the obvious cultural authority of other continents and countries. With the United States on one side and its European neighbours on the other, Britain had been to a somewhat significant degree eclipsed by their respective influence on the art of the modern period. But it is towards the end of the nineteenth century that it truly became an essential and crucial agent in the development of the avant-garde, through major and progressive trends such at the Arts and Crafts Movement, which would become essential to the further development of bohemian artists movements or other artist-led organisation of the twentieth century. Vorticism is a noteworthy movement, fundamentally characteristic of British modernism, it involved artists known for their affiliation to the Bloomsbury group. A few critically significant British artists of the modern and contemporary era include Stanley Spencer, Francis Bacon, Lucian Freud, Leon Kossoff, Frank Auerbach, David Hockney, Bridget Riley and Paula Rego among others – as well as the YBA generation led by Damien Hirst, Tracey Emin, Marc Quinn and Chris Ofili, in more recent years.
Further Biographical Context for Maggi Hambling
Maggi Hambling was born in 1945, grew up during the 1960s and was inspired by the artistic culture of the time. Art turned into a vehicle for ideologies and other agendas, with Pop and Minimalism appearing concurrently as the most significant art movements of the decade. Pop Art in New York city embraced the culture of mass media and mass consumerism, with Artists such as Andy Warhol, Roy Lichtenstein and Tom Wesselmann getting stimulated by television, comic strips, billboards and other products of the rise of Capitalism for their artworks. On the other side of the country, the West Coast in California, the first elements of what would be known as Conceptual art were developing. Minimalism developed the central idea that art should subsist in its own reality, and not try to mimic the physical world. Born of a desire to erase all pre-established conceptions about art, Minimalism turned into a radically progressive movement, highly influential worldwide, with artists such as Frank Stella, Donald Judd and Dan Flavin as key actors. Morris Louis, Kenneth Noland and Helen Frankenthaler were artists who sought to delve into some of the most fundamental ideologies of Abstract Expressionism, while getting rid of the emotional and highly personal aspect it would usually entail with it. This led to the creation of Colour Field painting, deeply identifying with Minimalism. The iconic contemporary art movements that reverberated through the wave of radicalism of the 1960s also had their own nuances and scopes, distinctive to different regions or countries. Spatialism, for example, was established in Italy by Lucio Fontana and Piero Manzoni, and its ideologies embraced by the Zero group in Germany. Throughout Europe, the philosophy of Existentialism strongly influenced artists like Francis Bacon and Alberto Giacometti, who strived to depict the raw human emotions often connected to reflections on death and the lingering anxiety of the meaninglessness of life.