Luis Marsans

1930 · Spain

Artist biography

Luis Marsans is an established artist, who was born in Spain. Luis Marsans was born in 1930. Also born in Spain around 1930 and of the same generation are Antoni Tapies, Eduardo Chillida and Eduardo Arroyo.

Luis Marsans' Gallery representation

Luis Marsans is represented by Leandro Navarro Gallería de Arte located in Madrid, Spain.

Historical Context of Spain

Spain has played a crucial role in the development of art in the twentieth century. In the early 1900s, a young Pablo Picasso established a uniquely expressive approach to figuration in the post-Impressionist era, initially with his Blue then Rose periods, although he was to settle in Paris in 1904. Picasso was also the key founding member of the Cubist movement, a group in which he was joined by fellow Spaniard Juan Gris. Both Salvador Dali and Joan Miro were prominent figures in the Surrealist movement, though they were also domiciled in France for large parts of their careers. During the twentieth century the political and cultural landscape of Spain was ruled by the totalitarian autocracy of General Franco whose dictatorship ruled the country, in one form or another, from 1939 until 1975, at which time the monarchy was restored to Juan-Carlos I who subsequently implemented considerable reform. The Franco regime was noted for its brutal anti-communist stance, and the departure of leading intellectual and cultural figures that chose not to live under an oppressive regime. The cultural life of the avant-garde suffered greatly, since liberal artistic movements are often noted for their leftist leanings. Significant modern and contemporary Spanish artists include Antoni Tapíes, Eduardo Chillida, Eduardo Arroyo, and Manolo Valdes.

Further Biographical Context for Luis Marsans

Luis Marsans was born in 1930 and was largely inspired by the 1930s growing up. During the 1930s, many political ideologies such as Marxist Socialism, Capitalist Democracy, and the Totalitarianism of both Communism and Fascism were engaged in struggles for power, and characterised the political atmosphere of the period. In the Soviet Union, Stalin’s government was in dire need of urgent funds to implement the industrialisation of the Five Year Plan. In a covert bid to acquire funds, the government proposed to sell off treasures from the State Hermitage Museum in Leningrad (St. Petersburg), which included some two hundred and fifty paintings by the Old Masters, a number of which had been deemed irreplaceable. Many of the pieces came to be owned by Andrew Mellon, via the New York based art dealing company, Knoedler.

Luis Marsans

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