1958 · Switzerland
Lorenzo Cambín is a contemporary artist considered well established, who originates from Switzerland, like other renowned artists such as Jean-Luc Manz, Marianne Mueller, Philippe Rahm, Michael Günzburger, and Cedric Eisenring. Lorenzo Cambín was born in 1958.
Lorenzo Cambín's Gallery representation
Lorenzo Cambín is represented by ÀMBIT Galeria d’Art in Barcelona, Spain.
Historical Context of Switzerland
Perhaps the most significant Swiss contribution to the unravelling of Modernism was the formation of the Dada movement in Zurich in 1916. Its initial members included Hugo Ball, Tristan Tzara, Jean Arp and Sophie Taeuber-Arp, Emmy Hennings, and Marcel Janco. Their headquarters, the Cabaret Voltaire, quickly metamorphosed into an prominent hub of the artistic and intellectual avant-garde, with the political neutrality Switzerland being a haven from political instability elsewhere in Europe. precedingly, Switzerland had originated some quirky and distinctive artists in the Post-Impressionist span of the early twentieth century, including Ferdinand Hodler and Felix Vallotton. Another major movement that can be connected to a Swiss artist was the ‘International Style’ of modernist architecture, pioneered by Le Corbusier. Le Corbusier may have become a French citizen in 1930, but he was born Charles-Édouard Jeanneret in the Neuchâtel canton of Switzerland in 1887. Indeed, his first autonomous projects were realized in his hometown of La Chaux-de-Fonds, including proto modern domestic villas for affluent local clients. Remarkable Swiss artists of the twentieth century include Jean Tingely, Alberto Giacometti, John Armleder, Pipilotti Rist and Thomas Hirschhorn.
Further Biographical Context for Lorenzo Cambín
Born in 1958, Lorenzo Cambín was largely influenced by the 1970s. Conceptualism is often perceived as a response to Minimalism, and the dominant art movement of the 1970s, challenging the boundaries of art with its revolutionary features. The movements that ensued were all characteristic of a strong desire to progress and consolidate the art world, in response to the tensions of the previous 1960s. Process art branched out from Conceptualism, highlighting some of its most essential aspects, but going further in creating mysterious and experimental artistic journeys, while Land Art brought creation to the outdoors, initiating early philosophies of environmentalism. In Germany, Expressive figure painting was given another chance for the first time since the decline of Abstract Expressionism almost twenty years ago, the genre regained its prominence through the brushstrokes of Gerhard Richter, Anselm Kiefer and Georg Baselitz. The cosmopolitan and sophisticated position that New York city held in the 1960s remained just as influential in the 1970s. With multiple world renowned artists gravitating the galleries and downtown scene, the city once again reinforced its reputation as the artistic heart of the generation. The critically engaged Mono-Ha movement, comprised of Japanese and Korean artists, flourished in Tokyo in the 1970s. Rejecting traditional ideas of representation, the artists favoured a depiction of the world through an engagement with materials and an exploration of their properties. The artworks would often consist of encounters between natural and industrial materials such as stone, glass, cotton, sponge, wood, oil and water, mostly left intact.
- Galleries Representing this Artist