1951 · United States
Lisa Bradley is seen as an established artist, who originates from the United States. Lisa Bradley was born in 1951. Born in the same country and around the same year are Felix Gonzalez-Torres, Bill Viola, Tony Oursler, Cindy Sherman and Keith Haring.
Galleries and Exhibitions
Lisa Bradley's work is on display at Hollis Taggart Galleries in New York, the United States. Lisa Bradley most recent exhibition recorded on Artland was at Hollis Taggart Galleries in New York with the exhibition SummerSelections. The exhibition was open from 23 July 2019 until 22 August 2019.
Historical Context of United States
The US, in particular New York city, endures as a focal point that has played a significant role in developing modern and contemporary art in the twentieth century. The concept of New York as a new multinational and highly influential art hub appeared in the post war era, and the city thrived in asserting its supremacy over Paris, which used to be regarded as the most powerful international art centre. The predominance of the political and economic institutions of the United States in the modern era has granted the country with a prevailing influence on the visual culture of the world. Abstract Expressionism, Pop Art, Minimalism, Conceptual Art, Neo-Expressionism, Graffiti and Street Art, are essential art movements that blossomed in the US. These very movements also echoed into a multitude of variations, such as alternative forms of Abstract Expressionism, as well as East and West Coast adaptations of Pop Art, among others. Some internationally distinguished U.S artists of the contemporary period age include Jackson Pollock, Mark Rothko, Jasper Johns, Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Cindy Sherman, Barbara Kruger, Julian Schnabel, Jean-Michel Basquiat and Keith Haring.
Further Biographical Context for Lisa Bradley
Born in 1951, Lisa Bradley was primarily inspired by the 1970s growing up. Conceptualism is often perceived as a response to Minimalism, and the leading art movement of the 1970s, challenging the boundaries of art with its revolutionary features. The movements that succeeded were all representative of a strong desire to evolve and strengthen the art world, in response to the tensions of the previous decade. Process art branched out from Conceptualism, highlighting some of its most essential aspects, but going further in creating mysterious and experimental artistic journeys, while Land Art brought creation to the outsides, initiating early ideas of environmentalism. In Germany, Expressive figure painting was given a second chance for the first time since the weakening of Abstract Expressionism almost two decades, the genre regained its prominence through the brushstrokes of Gerhard Richter, Anselm Kiefer and Georg Baselitz. The cosmopolitan and refined position that New York city held in the 1960s remained just as influential in the 1970s. With multiple global renowned artists gravitating the galleries and downtown scene, the city once again strengthened its reputation as the artistic heart of the generation. Street art started to emerge as a true and accepted form of art towards the end of the 1970s. Jean-Michel Basquiat and Keith Haring were pioneers in proving that their artworks could subsist at the same time in art galleries and on city walls. Driven by graffiti art, street art from its earliest days showed that it could endure in a perpetual flux of self-transformation, eternally shifting the limits of modern art, becoming a truly ground-breaking artistic genre.