Linda Connor

1944 · United States

Artist biography

Linda Connor is an established contemporary artist, who originates from the United States. Linda Connor was born in 1944. Some of the artist's contemporaries that are born around the same year and in the same country include Chuck Close, Robert Mappelthorpe, Bruce Nauman, Laurie Andersen and Barbara Kruger.

Linda Connor's Gallery representation

Linda Connor is represented and exhibited by Haines Gallery located in San Francisco, the United States.

Historical Context of United States

The United States has been a prominent country in the evolution of modern and contemporary art in the twentieth century, particularly in the post war era, when the cultural importance of New York assumed primacy over Paris, previously thought of as the most important art centre in the world. Major art movements developed and cultivated in extensive ways throughout the United States include Abstract Expressionism in varied forms, Pop Art, including its West and East Coast branches, Minimalism, Conceptual Art, Neo-Expressionism, Graffiti and Street Art, plus a multitude of post-modern repetitions of these many movements. In the modern and contemporary era, the United States has cultivated a strong influence upon the worldwide visual culture, due to the dominion of its economic and political structures. Key examples of critically acclaimed U.S artists of the modern and contemporary period include Jackson Pollock, Mark Rothko, Jasper Johns, Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Cindy Sherman, Barbara Kruger, Julian Schnabel, Jean-Michel Basquiat and Keith Haring.

Further Biographical Context for Linda Connor

Linda Connor was born in 1944 and was as deeply indebted to the events of the 1960s as their formative influences. In the art world, a multitude of powerful changes were also taking place. Pop Art, embracing the culture of mass media through the artworks of Andy Warhol, Roy Lichtenstein and Tom Wesselmann, was slowly breaking down the foundations on which the creation and reception of art were built. Drawing from the imagery of popular culture and mass consumerism, the Pop Artists rejected the authority of highbrow art and created a ground-breaking movement, while Minimalism, simultaneously appearing, was rejecting any form of emotional expression and focused on art’s theoretical features – aiming for pure visual responses. Honesty and an emptiness of emotions were key concepts in the highly influential movement of Minimalism, embodied by artists like Frank Stella, Donald Judd and Agnes Martin. Uninterested in the gestural elements of Abstract Expressionism, Minimalist artists focused on delivering artworks mainly gathering polished, clean lines and geometrical elements. The very first blossoming of Conceptualism was highly influenced by the simplicity of Minimalism but went further in rejecting all pre-defined conceptions inherent to art, similarly to what Pop Artists were trying to attain, by elevating popular culture to the status of high art. Several schools of philosophy deeply influenced creatives, Francis Bacon and Alberto Giacometti were artists heavily persuaded by the ideas of Existentialism, who achieved worldwide success through their depiction of the human form and the lament often associated with the human condition. globally, an important number of art movements echoed with the radical changes of the 1960s, often prone to their own regional distinctions. In Italy, Lucio Fontana and Piero Manzoni created Spatialism, while in Germany, the Zero group espoused similar ideas under the leadership of Günther Uecker.

Linda Connor

  • Exhibitions 1

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