1977 · United States
Lia Halloran is an established mid-career artist, who originates from the United States, like other famous artists such as Nicholas DiLeo, Daniel Bruttig, George Josimovich, Dalek, and Mimi Lauter. Lia Halloran was born in 1977.
About Lia Halloran's works
Lia Halloran is a key figure within the fields of Digital and Conceptual. In the early 1980s, renowned artists such as Harold Cohen or Andy Warhol started to play around with computer painting programs, thus paving the way for what would later be known as digital art. From digital paintings to installations or 3D renderings of sculptures, digital art is essentially blending technology with art, creating a innovative domain where freedom and never-ending possibilities invite artists to experiment and create. Whether the technology is the medium or the end itself, for art to be categorized as digital, any sort of computer processing needs to be involved in the creation or presentation of the work. The world of digital art is multifaceted and naturally progressing, as technology itself continues to grow and develop.
For a conceptual artist, the artwork needs to detach itself from any sort of traditional representation of what is art, and invite the viewer to enter a world of ideas and concepts, free from the material reality. Indeed, the essence of Conceptualism lies in the fact that the idea behind the artwork has significantly more importance than the completed artwork itself. As a defined movement, Conceptualism first emerged in the late 1960s, with figures such as Sol LeWitt, Lawrence Weiner and Yoko Ono. The most revolutionary feature of Conceptual Art is that the artwork can take the form of anything, from writings to performances, to a derived use of everyday objects - the boundaries of art are thus challenged, the tradition is critiqued. Conceptualism has been, and still remains, subject to controversy and debate, due to its tendency to provoke the audience. As a contemporary movement, is it often used as a medium to defy institutions, societal structures and political systems.
Galleries and Exhibitions
Lia Halloran's work is available for viewing at Luis De Jesus Los Angeles in the United States. Lia Halloran's most recent exhibition recorded on Artland was at Luis De Jesus Los Angeles in the United States (29 March 2019 until 03 May 2019) with the exhibition Double Horizon.
Historical Context of United States
The United States, especially New York city, endures as a focal point that has played a significant role in developing modern and contemporary art in the twentieth century. The idea of New York as a new multinational and highly influential art centre appeared in the post war era, and the city thrived in asserting its supremacy over Paris, which used to be considered as the most powerful global art capital.
The authority of the political and economic institutions of the United States in the modern sphere has granted the country with a prevailing influence on the visual culture of the world. Abstract Expressionism, Pop Art, Minimalism, Conceptual Art, Neo-Expressionism, Graffiti and Street Art, are significant art movements that blossomed in the United States. These very movements also reverberated into a multitude of variations, such as diverse forms of Abstract Expressionism, as well as East and West Coast variants of Pop Art, among others. Some internationally acclaimed U.S artists of the modern age include Jackson Pollock, Mark Rothko, Jasper Johns, Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Cindy Sherman, Barbara Kruger, Julian Schnabel, Jean-Michel Basquiat and Keith Haring.
Further Biographical Context for Lia Halloran
Born in 1977, Lia Halloran's creative work was largely inspired by the 1990s. Art in the 1990s was defined at the start of the decade by a group of artists in the United Kingdom that came to be known as the YBAs, or Young British Artists. They were a diverse collective of creatives, affiliated loosely by their age, nationality, and their association with Goldsmiths and the Royal College of Art in London, alongside being favoured by super collector of the time Charles Saatchi. The most successful artist of the group is Damien Hirst, who was also an early organiser of group activities. Other artists included Chris Ofili, Tracey Emin, Marc Quinn, Gavin Turk, Sarah Lucas and Sam Taylor-Wood. Much of their art became famous for shock tactics and the sensationalism of both material and message. They also became famed for their use of throwaway materials, wild-living, and an attitude that was simultaneously counter-culture rebellion but also entrepreneurial. They gained a large amount of media coverage and dominated British art during the decade. Their international shows in the mid-1990s included the now legendary ‘Sensation'.
Conceptual photography led by German ideas and artists came to prominence. Artists such as Andreas Gursky, Thomas Struth, and Wolfgang Tillmans gained major recognition, and inspired other artists such as the Canadian Jeff Wall, who experimented with the kind of cinematic expansiveness associated with the German artists’ work. Painters like Albert Oehlen and Martin Kippenberger exerted a strong influence on less established artists.
Also gaining prominence at this time was a developing trend in Japan related to the huge boom in advertising and consumerism that took place during the economic dominance of the 1980s. The indigenous comic book culture of manga, allied to trends in advertising, graphic design and packaging, saw a young artist called Takashi Murakami develop his theories which he coined ’Superflat’. Influenced by his experiences in New York City in the mid-1990s, Murakami formed a powerful group called Kaikaikiki, which became internationally renowned as an artistic group.
Relational Aesthetics became a core idea. It was a term coined by curator Nicholas Bourriaud in the 1990s to describe the tendency to make art based on, or inspired by, human relations and their social context. Works by artists like Douglas Gordon, Gillian Wearing, Philippe Parenno and Liam Gillick were described as significant artists who worked to this outline.
A proliferation of trends characterised the decade, including the highly derisive sculpture of Maurizio Cattelan, and extremely sensitive advancements of conceptualism as evidenced by the work of artists like Felix Gonzalez-Torres.
- Galleries Representing this Artist