1953 · United States
Lezley Saar is seen as an established artist, who originates from the United States. Lezley Saar was born in 1953. Some of the artist's contemporaries that are born around the same year and in the same country include Jenny Holzer, Bill Viola, Carrie Mae Weems, Cindy Sherman and Jeff Koons.
Galleries and Exhibitions
Lezley Saar is represented and exhibited by Walter Maciel Gallery located in Los Angeles, the United States. Lezley Saar most recent exhibition recorded on Artland was at Walter Maciel Gallery in Los Angeles (10 January 2020 until 21 February 2020) with the exhibition A Conjuring of Conjurors.
Historical Context of United States
The United States, particularly New York city, endures as a focal point that has played a significant role in developing modern and contemporary art in the twentieth century. The concept of New York as a new multinational and highly influential art centre emerged in the post war era, and the city thrived in affirming its supremacy over Paris, which used to be considered as the most powerful global art capital. The predominance of the political and economic structures of the United States in the modern sphere has granted the country with a prevailing influence on the visual culture of the world. Abstract Expressionism, Pop Art, Minimalism, Conceptual Art, Neo-Expressionism, Graffiti and Street Art, are significant art movements that emerged in the US. These very movements also echoed into a myriad of variations, such as diverse forms of Abstract Expressionism, as well as East and West Coast variants of Pop Art, among others. Some internationally acclaimed U.S artists of the contemporary period age include Jackson Pollock, Mark Rothko, Jasper Johns, Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Cindy Sherman, Barbara Kruger, Julian Schnabel, Jean-Michel Basquiat and Keith Haring.
Further Biographical Context for Lezley Saar
Lezley Saar was born in 1953 and was largely inspired creatively by the 1970s growing up. The art sphere of the 1970s was epitomized by a desire to grow and reinforce itself, as a response to the many tensions of the previous decade. One of the most important movement of the 1970s was Conceptualism, which emerged as an offshoot of Minimalism, while the experimental, creative voyage of Process art materialized by combining essential features of Conceptualism with further considerations on art itself. The initial ideas of environmentalism sprung from Land Art, which took art into earth itself, sculpting the land and bringing art to the outdoors. For the first time since the decline of Abstract Expressionism, Expressive figure painting slowly re-emerged and regained its prominence, predominantly in Germany through the works of critically acclaimed figures Gerhard Richter, Anselm Kiefer and Georg Baselitz. Most of the leading artistic figures of the 1960s remained greatly influential and admired throughout the 1970s. Andy Warhol, for example, secured his status as a legendary artist, by branching out into film and magazine publishing, thus instituting a ground-breaking concept of cross-cultural activity for a visual artist of such fame. Towards the end of the 1970s, street art, developing from graffiti, was starting to truly fascinate the fine art community. Keith Haring and Jean-Michel Basquiat helped legitimize spray painting and tagging, proving that their artworks could subsist at the same time in art galleries and on city walls. Following, the global extent of street art would become extremely influential, representing an astonishing form of artistic expression.
- Galleries Representing this Artist