1958 · Denmark
Kristian Dahlgård is an established contemporary visual artist, who originates from Denmark. Kristian Dahlgård was born in 1958. Born in the same country and of the same generation are Eva Koch and Lise Malinovsky.
Historical Context of Denmark
As the southernmost of the Scandinavian countries, Denmark has often been rather influenced by the Germanic culture of Northern Europe, that borders its southern frontiers. This sensibility is often mixed with the Nordic traits of restraint and melancholy in its arts. At the end of the nineteenth century, and in the earlier part of the twentieth, Denmark originated a key painter of Post-Impressionism, Vilhelm Hammershøi. Noted for his wistful and extremely sparse interiors, Hammershøi's reputation was founded on his exquisite depictions of light and shadow in modest, dignified interiors, most often his own residence. In the later twentieth century, Denmark was a significant country in the CoBrA movement of Expressionist painting, where the naming convention was derived from the cities of the founding members - the Co standing for Copenhagen on behalf of Danish artist Asger Jorn. Founded in 1949, CoBrA's bright colours and vibrant childlike figures became both a scandal and sensation. Other prominent modern and Danish artists include Per Kirkeby, Olafur Eliasson, Danh Vō, Sergej Jensen and Tal R.
Further Biographical Context for Kristian Dahlgård
Born in 1958, Kristian Dahlgård was predominantly inspired by the 1970s. The 1970s were a period of consolidation and progress in the arts, most often defined as a response to the dominant tensions of the preceding decade. Conceptual art emerged as a key movement, and was in part an evolution of and response to minimalism. Land Art took the works of art into the sprawling outdoors, taking creative production away from commodities and engaging with the earliest ideas of environmentalism. Process art combined elements of conceptualism with other formal considerations, creating cryptic and experimental bodies of work. Expressive figurative painting began to regain importance for the first time since the decline of Abstract Expressionism twenty years before, especially in Germany where Gerhard Richter, Anselm Kiefer, Georg Baselitz became highly powerful figures worldwide. New York maintained an prominent position in the international art scene, ensuring that global artists continued to flock to the galleries, bars and downtown scene in the city. Towards the end of the decade, the emerging practices of graffiti and street art were beginning to gain attention in the fine art community. Artists such as Keith Haring and Jean-Michel Basquiat were working in downtown Manhattan and guaranteeing that spray paint and tagging gained some egitimacy as a fine art practice, a trend which would fully emerge and dominate throughout the following decade.