1985 · United States
Kenneth Morehouse is seen as an established mid-career contemporary artist, who originates from the United States, like other famous artists such as Kerry Hirth, Michael (Corinne) West, Marcius Galan, Noel Anderson, and Ken Greenleaf. Kenneth Morehouse was born in 1985.
Historical Context of United States
The United States has been a major country in the evolution of modern and contemporary art in the twentieth century, especially in the post war era, when the cultural importance of New York asserted its influence over Paris, previously thought of as the most powerful art hub globally. Major art movements developed and fostered in important ways throughout the United States include Abstract Expressionism in various forms, Pop Art, including its West and East Coast variants, Minimalism, Conceptual Art, Neo-Expressionism, Graffiti and Street Art, plus a multitude of post-modern iterations of these many types. In the modern and contemporary era, the United States has cultivated a prevailing influence over the global visual culture, due to the hegemony of its economic and political structures. Key examples of critically acclaimed U.S artists of the modern and contemporary period include Jackson Pollock, Mark Rothko, Jasper Johns, Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Cindy Sherman, Barbara Kruger, Julian Schnabel, Jean-Michel Basquiat and Keith Haring.
Further Biographical Context for Kenneth Morehouse
Kenneth Morehouse was born in 1985 and was predominantly influenced by the 1990s growing up. A collective of artists working in the United Kingdom, who came to be known as the YBAs, or Young British Artists, defined the artistic culture of the 1990s. Affiliated loosely by their age and nationality, they were a varied group of practitioners. A number of the YBAs attended the Royal College of Art and Goldsmiths in London, and were favoured by the ‘super collector’ of the time, Charles Saatchi. The most famous member of the group is Damien Hirst, and other members included Chris Ofili, Tracey Emin, Marc Quinn, Gavin Turk, Sarah Lucas and Sam Taylor-Johnson (née Sam Taylor-Wood). The YBAs became famous for their use of shock tactics and sensationalism, alongside their use of throwaway materials, wild lifestyles and an attitude that was rebellious yet commercial. Due to the high amount of media coverage that they received, they dominated British art during the 1990s, and their work was epitomised in the group show ‘Sensation’. Relational Aesthetics, a term coined by curator Nicholas Bourriaud to describe the act of making art based on human relations and their social context, became a key idea in the 1990s. Works by artists including Douglas Gordon, Gillian Wearing, Philippe Parenno and Liam Gillick were described as important artists who worked to this agenda.