Further Biographical Context for Keith Miller
Keith Miller was born in 1949 and was predominantly influenced creatively by the 1960s. Art turned into a vehicle for dogmas and other agendas, with Pop and Minimalism appearing simultaneously as the most significant art movements of the decade. Pop Art in New York city embraced the culture of mass media and mass consumerism, with Artists such as Andy Warhol, Roy Lichtenstein and Tom Wesselmann getting inspired by television, comic strips, billboards and other products of the rise of Capitalism for their artworks. On the other side of the country, the West Coast in California, the first features of what would be known as Conceptual art were developing. Minimalism developed the crucial idea that art should exist in its own reality, and not try to mimic the physical world. Born of a desire to eradicate all pre-established conceptions about art, Minimalism turned into a radically progressive movement, highly influential worldwide, with artists such as Frank Stella, Donald Judd and Dan Flavin as key figures. Minimalism became influential through the works of artists such as Victor Vasarely and Bridget Riley, while Pop art was an essential by-product of the latter, at the same time critiquing and glorifying popular culture. The iconic contemporary art movements that reverberated through the wave of radicalism of the 1960s also had their own nuances and scopes, particular to different areas or countries. Spatialism, for example, was founded in Italy by Lucio Fontana and Piero Manzoni, and its ideologies embraced by the Zero group in Germany. Throughout Europe, the ideologies of Existentialism deeply influenced artists like Francis Bacon and Alberto Giacometti, who strived to depict the raw human emotions often associated with reflections on death and the haunting anxiety of the meaninglessness of life.