Keith Leslie Cowlam
Keith Leslie Cowlam is an established contemporary visual artist, Keith Leslie Cowlam was born in 1946. Artists born in the same year and of the same generation are Varda Yatom, Jerry Carniglia, Jacques Van Alphen, Clifford Beck, and Joaquim Carbo-Berthold.
Further Biographical Context for Keith Leslie Cowlam
Keith Leslie Cowlam was born in 1946, grew up during the 1960s and was inspired by the artistic atmosphere of the time. Artistically, the decade began with the twin movements of Pop and Minimalism emerging alongside each other. On one hand, Pop advocated the visual culture of the mainstream and mass media, and of products and consumerism. Artwork by artists such as Andy Warhol, Roy Lichtenstein, Tom Wesselmann and Claes Oldenberg was inspired by the popular culture of the rapidly developing Capitalism of the United States, using things like advertising, comic books and ideas surrounding celebrity culture as their main visual cues. A parallel movement developed on the West Coast in California - a strain that also related to language in art, and is viewed as the very first flowerings of conceptual art. Minimalism developed a formal language with no external references, based solely on line, colour and geometric form as key components of both painting and sculpture. The main figures of Minimalism included Frank Stella, Donald Judd and Agnes Martin. Pop Art was a prominent offshoot of minimalism, a discipline that became renowned through the work of artists like Victor Vasarely and Bridget Riley. Globally, many artistic movements resonated the creative concerns of the above mentioned movements, often with regional specialisms and nuance. In Italy, Lucio Fontana and Piero Manzoni established Spatialism, and in Germany the Zero group under the leadership of Gunter Uecker adopted similar ideas. The influential school of Existentialist Philosophy was an important source of inspiration for creatives, with artists like Francis Bacon and Alberto Giacometti achieving international prominence for their idiosyncratic approaches to the human form and the anguish related to the human condition.