1958 · Germany
Jutta Koether is an established contemporary visual artist, who was born and brought up in Germany. Jutta Koether was born in 1958. Born in the same country and around the same year are Andreas Gursky and Thomas Ruff.
Galleries and Exhibitions
Multiple galleries around the world represent and exhibit Jutta Koether's work, including galleries in countries such as the United Kingdom, France, and the United States. Galleries exhibiting Jutta Koether's work include Campoli Presti | London in the United Kingdom, as well as Campoli Presti | Paris and mfc - michèle didier in France. Jutta Koether most recent exhibition recorded on Artland was at Campoli Presti | London in the United Kingdom with the exhibition Serinettes. Ladies Pleasures Varying.. The exhibition was open from 22 April 2017 until 17 June 2017. Jutta Koether's other most recent exhibitions recorded on Artland include the exhibitions; Serinettes. Ladies Pleasures Varying. (22 April 2017 - 17 June 2017) at Campoli Presti | Paris in France and 4 the Team (26 February 2020 - 17 April 2020) at Lévy Gorvy | New York in the United States. Jutta Koether's first listed exhibition in Artland's database was called Serinettes. Ladies Pleasures Varying. and took place at Campoli Presti | London in the United Kingdom from the 22 April 2017 to 17 June 2017.
Further Biographical Context for Jutta Koether
Jutta Koether was born in 1958 and was largely influenced creatively by the 1970s. Conceptualism is often perceived as a reaction to Minimalism, and the dominant art movement of the 1970s, challenging the boundaries of art with its revolutionary features. The movements that ensued were all representative of a strong desire to progress and consolidate the art world, in response to the tensions of the previous decade. Process art branched out from Conceptualism, including some of its most essential aspects, but going further in creating mysterious and experimental artistic journeys, while Land Art brought creation to the outsides, initiating early ideas of environmentalism. In Germany, Expressive figure painting was given a second chance for the first time since the weakening of Abstract Expressionism almost twenty years ago, the genre regained its distinction through the brushstrokes of Gerhard Richter, Anselm Kiefer and Georg Baselitz. The majority of the critically acclaimed artists from the 1960s, who had gained success and popularity, kept their status in the 1970s. Andy Warhol was a key figure of those two decades, and in the 1970s started to experiment with film and magazine publishing, thus engaging in a cross-platform activity that no other visual artist of such standard had previously undertaken. By doing so, he secured his status as a celebrity. All over, various movements defined the 1970s. Amongst others, feminism and the new radical theories it occasioned strongly influenced the visual culture. Photorealism, which had emerged in the 1960s, also received critical and commercial success. The critical, prominent artistic figures of New York city started to embrace painters and sculptors from Latin America.