1978 · Denmark
June Pethrith is a mid-career contemporary visual artist, who originates from Denmark. June Pethrith was born in 1978. Some of the artist's contemporarie that are from the same generation and country include Jeppe Hein and Jesper Just.
June Pethrith in private collections
Historical Context of Denmark
As the southernmost of the Scandinavian countries, Denmark has often been rather influenced by the Germanic culture of Northern Europe, that borders its southern limits. This sensibility is often combined with the Nordic traits of restraint and melancholy in its arts. Towards the end of the nineteenth century, and in the earlier part of the twentieth, Denmark produced a key painter of Post-Impressionism, Vilhelm Hammershøi. Acclaimed for his melancholic and extremely scarce interiors, Hammershøi's reputation was founded on his ethereal depictions of light and shadow in simple, dignified interiors, most often his own residence. In the later twentieth century, Denmark was a significant country in the CoBrA movement of Expressionist painting, where the naming convention was derived from the cities of the founding members - the Co standing for Copenhagen on behalf of Danish artist Asger Jorn. Founded in 1949, CoBrA's vivid colours and vibrant childlike figures became both a scandal and sensation. Other prominent modern and Danish artists include Per Kirkeby, Olafur Eliasson, Danh Vō, Sergej Jensen and Tal R.
Further Biographical Context for June Pethrith
Born in 1978, June Pethrith's creative work was predominantly inspired by the 1990s. Art in the 1990s was defined at the start of the decade by a group of artists in the United Kingdom that came to be known as the YBAs, or Young British Artists. They were a diverse collective of creatives, affiliated loosely by their age, nationality, and their association with Goldsmiths and the Royal College of Art in London, as well as being favoured by super collector of the time Charles Saatchi. The most famous artist of the group is Damien Hirst, who was also an early organiser of group activities. Other members included Chris Ofili, Tracey Emin, Marc Quinn, Gavin Turk, Sarah Lucas and Sam Taylor-Wood. Much of their art became known for shock tactics and the sensationalism of both material and message. They also became famed for their use of throwaway materials, wild-living, and an attitude that was simultaneously counter-culture rebellion but also entrepreneurial. They gained considerable amount of media coverage and dominated British art during the decade. Their international shows in the mid-1990s included the now legendary ‘Sensation'. Also gaining prominence at this time was an emergent trend in Japan related to the huge boom in advertising and consumerism that took place during the economic dominance of the 1980s. The indigenous comic book culture of manga, allied to trends in advertising, graphic design and packaging, saw a young artist called Takashi Murakami develop his theories which he coined ’Superflat’. Influenced by his experiences in New York City in the mid-1990s, Murakami formed a significant group called Kaikaikiki, which became internationally renowned as an artistic group.