Judy Cooke is an established contemporary visual artist, Judy Cooke was born in 1940. Artists Chuang Ling, Helaine Blumenfeld, Catharina Cosin, Ali Candas, and Fotis Chatziioannidis are of the same generation.
Further Biographical Context for Judy Cooke
Born in 1940, Judy Cooke was largely inspired by the 1960s. The 1960s were a sensational decade internationally, witnessing a great increase of modernist ideas and trends. It was the era of Kennedy and Kruschev, and the beginning of the Cold War, which would endure for most of the second half of the twentieth century, and was epitomised most symbolically by the construction of the Berlin Wall in 1961. The Iron Curtain divided Eastern and Western Europe, both ideologically and literally, and student political uprisings took place across the globe. Psychedelia, an massive increase in consumerism, and the associated trends of marketing and advertising further epitomised the era. Minimalism developed a formal language with no external references, predicated solely on line, colour and geometric form as key constituents of both painting and sculpture. The significant figures of Minimalism included Frank Stella, Donald Judd and Agnes Martin. Colour Field painting, as practiced by Morris Louis, Kenneth Noland and Helen Frankenthaler, further explored some of the expressive philosophies of Abstract Expressionism, but stripped away much of the rhetoric, instead approaching a more rule-based approach to surface and colour that related this practice to Minimalism. Around the world a number of artistic movements echoed the artistic concerns of the previously mentioned movements, often with regional specialisms and nuance. In Italy, Lucio Fontana and Piero Manzoni developed Spatialism, and in Germany the Zero group under the leadership of Gunter Uecker espoused similar ideas. The influential school of Existentialist Philosophy was an important source of inspiration for creatives, with artists like Francis Bacon and Alberto Giacometti achieving international prominence for their distinguishing approaches to the human form and the anguish related to the human condition.