1988 · Switzerland
Judith Kakon is seen as an emerging artist, who was born and brought up in Switzerland, like other celebrated artists such as Max Gunther, Hanimann, Alex, Claudia Mueller, Fredy Hadorn, and Marck. Judith Kakon was born in 1988.
Judith Kakon's exhibition
Historical Context of Switzerland
Perhaps the most important Swiss contribution to the unravelling of Modernism was the formation of the Dada movement in Zurich in 1916. Its founding members included Hugo Ball, Tristan Tzara, Jean Arp and Sophie Taeuber-Arp, Emmy Hennings, and Marcel Janco. Their headquarters, the Cabaret Voltaire, quickly metamorphosed into an significant hub of the artistic and intellectual avant-garde, with the political neutrality Switzerland being a haven from political instability elsewhere in Europe. precedingly, Switzerland had produced some quirky and extraordinary artists in the Post-Impressionist span of the early twentieth century, including Ferdinand Hodler and Felix Vallotton. Another essential movement that can be connected to a Swiss artist was the ‘International Style’ of modernist architecture, pioneered by Le Corbusier. Le Corbusier may have become a French citizen in 1930, but he was born Charles-Édouard Jeanneret in the Neuchâtel canton of Switzerland in 1887. Indeed, his first autonomous projects were executed in his hometown of La Chaux-de-Fonds, including proto modern domestic villas for wealthy local clients. Remarkable Swiss artists of the twentieth century include Jean Tingely, Alberto Giacometti, John Armleder, Pipilotti Rist and Thomas Hirschhorn.
Further Biographical Context for Judith Kakon
Born in 1988, Judith Kakon's creative work was primarily influenced by the 1990s. Art in the 1990s was defined at the start of the decade by a group of artists in the United Kingdom that came to be known as the YBAs, or Young British Artists. They were a diverse collective of practitioners, affiliated loosely by their age, nationality, and their association with Goldsmiths and the Royal College of Art in London, as well as being favoured by super collector of the time Charles Saatchi. The most successful artist of the group is Damien Hirst, who was also an early organiser of group activities. Other artists included Chris Ofili, Tracey Emin, Marc Quinn, Gavin Turk, Sarah Lucas and Sam Taylor-Wood. Much of their work became known for shock tactics and the sensationalism of both material and message. They also became famed for their use of throwaway materials, wild-living, and an attitude that was simultaneously counter-culture rebellion but also entrepreneurial. They gained a large amount of media coverage and dominated British art during the 1990s. Their international shows in the mid-1990s included the now legendary ‘Sensation'. Conceptual photography led by German ideas and artists came to prominence. Artists like Andreas Gursky, Thomas Struth, and Wolfgang Tillmans gained major recognition, and inspired other artists such as the Canadian Jeff Wall, who experimented with the kind of cinematic expansiveness associated with the German artists’ work. Painters like Albert Oehlen and Martin Kippenberger exerted a notable influence on younger artists.