1956 · United States
Joseph Grigely is an established contemporary visual artist, who was born in the United States. Joseph Grigely was born in 1956. Born in the same country and of the same generation are Jenny Holzer, Bill Viola, Carrie Mae Weems, Cindy Sherman and Jeff Koons.
Galleries and Exhibitions
Several galleries around the world represent and exhibit Joseph Grigely's work, including galleries in countries like Slovakia, France, and Switzerland. Galleries include Air de Paris and mfc - michèle didier in France, and Gandy Gallery in Slovakia. Joseph Grigely's work has most recently been exhibited at Air de Paris in France (19 October 2019 until 20 December 2019) with the exhibition More.
Historical Context of United States
The US, in particular New York city, endures as a central point that has played a significant role in developing modern and contemporary art in the twentieth century. The concept of New York as a new cosmopolitan and highly powerful art hub came to be in the post war era, and the city thrived in affirming its supremacy over Paris, which used to be regarded as the most powerful international art centre.
The authority of the political and economic institutions of the United States in the modern sphere has provided the country with a prevailing influence on the visual culture of the world. Abstract Expressionism, Pop Art, Minimalism, Conceptual Art, Neo-Expressionism, Graffiti and Street Art, are influential art movements that flourished in the United States. These very movements also echoed into a myriad of variations, such as diverse forms of Abstract Expressionism, as well as East and West Coast variants of Pop Art, among others. Some internationally acclaimed U.S artists of the contemporary period age include Jackson Pollock, Mark Rothko, Jasper Johns, Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Cindy Sherman, Barbara Kruger, Julian Schnabel, Jean-Michel Basquiat and Keith Haring.
Further Biographical Context for Joseph Grigely
Born in 1956, Joseph Grigely grew up during the 1970s and was inspired by the artistic atmosphere of the time. The 1970s were a period of consolidation and progress in the arts, most often characterised as a response to the central strains of the previous decade. Conceptual art emerged as a key movement, a partial evolution of and response to minimalism. Land Art took the artwork into the expansive outdoors, taking creative production away from commodities and engaging with the earliest ideas of environmentalism. Process art combined elements of conceptualism with other formal reflections, creating cryptic and experimental bodies of work. Expressive figurative painting began to regain prominence for the first time since the decline of Abstract Expressionism twenty years before, especially in Germany where Gerhard Richter, Anselm Kiefer, Georg Baselitz became highly renowned figures worldwide.
New York maintained an important position in the international art world, ensuring that international artists continued to gravitate to the galleries, bars and downtown scene in the city.
A number of the artists who gained fame and successful in the 1960s remained leading figures. For example, Andy Warhol branched out into film and magazine publishing, the first kind of cross cultural activity for a visual artist. This secured his reputation as a major international celebrity in his own right.
Towards the end of the 1970s, the emerging practices of graffiti and street art were beginning to gain attention in the fine art community. Artists including Keith Haring and Jean-Michel Basquiat were working in downtown Manhattan and guaranteeing that spray paint and tagging gained some validity as a fine art practice, a trend which would fully emerge and dominate throughout the following decade.
International movements began to gain popularity included feminism, which translated strongly into the visual culture, and photorealism which had begun in the 1960s and enjoyed significant commercial and critical success. For the first time painters and sculptors from Latin America were embraced by the leading critical and institutional levers in New York.
In Japan and Korea, artists associated with the Mono-Ha movement focused on encounters between natural and industrial materials such as stone, glass, cotton, sponge, wood, oil and water, arranging them in mostly unaltered, transient states. The works focused on the interdependency of these various elements and the surrounding space, and had a strong interest in the European philosophy of phenomenology.
The predominantly Italian Arte Povera Movement gained global recognition during the 1970s, with artists like Jannis Kounnelis, Mario Merz, and Michelangelo Pistoletto achieving global acclaim.