Josep Riera I Aragó
1954 · Spain
Josep Riera I Aragó is regarded as a well established artist, who originates from Spain. Josep Riera I Aragó was born in 1954. Born in the same country and of the same generation are Miquel Barceló and Juan Muñoz.
Josep Riera I Aragó's Gallery representation
Josep Riera I Aragó's work is available for viewing at Gallery Boisserée in Cologne, Germany.
Historical Context of Spain
Spain has played a crucial role in the growth of art in the twentieth century. In the early 1900s, a young Pablo Picasso developed a distinctively expressive approach to figuration in the post-Impressionist era, initially with his Blue then Rose periods, although he was to settle in Paris in 1904. Picasso was also the central founding member of the Cubist movement, a group in which he was joined by fellow Spaniard Juan Gris. Both Salvador Dali and Joan Miro were leading figures in the Surrealist movement, though they were also lived in France for large parts of their careers. Throughout the twentieth century the political and cultural landscape of Spain was dominated by the totalitarian autocracy of General Franco whose dictatorship ruled the country, in one form or another, from 1939 until 1975, at which time the monarchy was restored to Juan-Carlos I who subsequently implemented substantial reform. The Franco regime was characterised by its brutal anti-communist stance, and the departure of leading intellectual and cultural figures that chose not to live under an oppressive regime. The cultural life of the avant-garde suffered significantly, since liberal artistic movements are often known for their leftist leanings. Important modern and contemporary Spanish artists include Antoni Tapíes, Eduardo Chillida, Eduardo Arroyo, and Manolo Valdes.
Further Biographical Context for Josep Riera I Aragó
Born in 1954, Josep Riera I Aragó was predominantly influenced by the 1970s growing up. The art sphere of the 1970s was epitomized by a wish to evolve and strengthen itself, as a response to the many conflicts of the previous decade. One of the most central movement of the 1970s was Conceptualism, which emerged as an offshoot of Minimalism, while the experimental, creative voyage of Process art materialized by combining essential elements of Conceptualism with further reflections on art itself. The initial ideas of environmentalism bounced from Land Art, which took art into earth itself, sculpting the land and bringing art to the outdoors. For the first time since the regression of Abstract Expressionism, Expressive figure painting slowly resurfaced and regained its prominence, especially in Germany through the works of world renowned figures Gerhard Richter, Anselm Kiefer and Georg Baselitz. The city of New York remained as the most prominent artistic hub of the decade, with global artists drifting through the downtown scene, visiting bars and art galleries, strengthening the idea of New York City as a cosmopolitan and sophisticated cultural capital. In the eastern part of the globe, Japanese and Korean artists who showed a strong interest in the European philosophy of phenomenology, allied with the Mono-Ha movement, exploring and shifting the boundaries between natural and industrial materials. Using stone, glass, cotton, sponge, wood, oil and water, they intended to create life to artworks that would accentuate the ephemeral state of these various elements and their surroundings, playing with their interdependency.