Josep Maria Riera I Aragó
1954 · Spain
Josep Maria Riera I Aragó is seen as an established contemporary artist, who originates from Spain. Josep Maria Riera I Aragó was born in 1954. Some of the artist's contemporarie that are from the same generation and country include Miquel Barceló and Juan Muñoz.
Josep Maria Riera I Aragó's exhibition
Historical Context of Spain
Spain has played a crucial role in the development of art in the twentieth century. In the early 1900s, a young Pablo Picasso developed a distinctively expressive approach to figuration in the post-Impressionist era, initially with his Blue then Rose periods, although he was to settle in Paris in 1904. Picasso was also the chief founding member of the Cubist movement, a group in which he was joined by fellow Spaniard Juan Gris. Both Salvador Dali and Joan Miro were leading figures in the Surrealist movement, though they were also domiciled in France for large parts of their careers. During the twentieth century the political and cultural landscape of Spain was ruled by the totalitarian autocracy of General Franco whose dictatorship ruled the country, in one form or another, from 1939 until 1975, at which time the monarchy was restored to Juan-Carlos I who then implemented considerable reform. The Franco regime was noted for its brutal anti-communist stance, and the departure of leading intellectual and cultural figures that chose not to live under an oppressive regime. The cultural life of the avant-garde suffered greatly, since liberal artistic movements are often noted for their leftist leanings. Significant modern and contemporary Spanish artists include Antoni Tapíes, Eduardo Chillida, Eduardo Arroyo, and Manolo Valdes.
Further Biographical Context for Josep Maria Riera I Aragó
Born in 1954, Josep Maria Riera I Aragó grew up during the 1970s and was inspired by the artistic atmosphere of the time. Conceptualism is often perceived as a reaction to Minimalism, and the dominant art movement of the 1970s, challenging the boundaries of art with its revolutionary features. The movements that ensued were all characteristic of a strong desire to evolve and strengthen the art world, in response to the tensions of the previous decade. Process art branched out from Conceptualism, including some of its most crucial aspects, but going further in creating mysterious and experimental artistic journeys, while Land Art brought creation to the outdoors, initiating early philosophies of environmentalism. In Germany, Expressive figure painting was given a second chance for the first time since the weakening of Abstract Expressionism almost twenty years ago, the genre regained its distinction through the brushstrokes of Gerhard Richter, Anselm Kiefer and Georg Baselitz. The cosmopolitan and sophisticated position that New York city held in the 1960s remained just as influential in the 1970s. With multiple global renowned artists gravitating the galleries and downtown scene, the city once again strengthened its reputation as the artistic heart of the era. The critically engaged Mono-Ha movement, comprised of Japanese and Korean artists, blossomed in Tokyo in the 1970s. Discarding conventional ideas of representation, the artists favoured a depiction of the world through an engagement with materials and an examination of their properties. The artworks would often consist of encounters between natural and industrial materials such as stone, glass, cotton, sponge, wood, oil and water, mostly unchanged intact.