1892 · Denmark
Josef Lorenzl is seen as an established contemporary artist, who was born in Denmark. Josef Lorenzl was born in 1892. Artists Vilhelm Hammershøi and P. S. Krøyer are of the same generation and same country as Josef Lorenzl.
Josef Lorenzl in private collections
Josef Lorenzl's works can be found on Artland in the following collection: Andrea Sperelli. This also includes works by other critically acclaimed artists, Liam Fallon, Hur Kyung-Ae, and Alessandro Simonini.
Historical Context of Denmark
As the southernmost of the Scandinavian countries, Denmark has often been very influenced by the Germanic culture of Northern Europe, which borders its southern frontiers. This sensibility is often combined with the Nordic attributes of restraint and melancholy in its arts. At the end of the nineteenth century, and in the earlier part of the twentieth, Denmark produced an extremely important painter of Post-Impressionism, Vilhelm Hammershøi. Renowned for his wistful and extremely scarce interiors, Hammershøi's reputation was founded on his ethereal depictions of light and shadow in simple, elegant interiors, most often his own residence. In the later twentieth century, Denmark was a key country in the CoBrA movement of Expressionist painting, where the naming convention was derived from the cities of the founding members - the Co standing for Copenhagen on behalf of Danish artist Asger Jorn. Established in 1949, CoBrA's bright colours and lively childlike figures became both a scandal and sensation. Other critically acclaimed modern and Danish artists include Per Kirkeby, Olafur Eliasson, Danh Vō, Sergej Jensen and Tal R.
Further Biographical Context for Josef Lorenzl
Josef Lorenzl was born in 1892 and was primarily influenced by the 1900s and 1910s growing up. The first major Post-impressionism movement in the first years of the twentieth century is generally considered to be the Fauves, a group for whom vivid, other-worldly colours and vibrant brushstrokes were a key component of painting, and who counted Henri Matisse as a member. In Paris during the same time, a young Pablo Picasso painted his lauded Blue and Rose periods. By the end of the decade, along with Georges Braque, he had developed the first fracturing of pictorial reality with Analytical Cubism. The first twenty years of the Twentieth Century can be considered to be among the most productive, and are noted as the time in art history when modern and modernist ideas began to take hold of cultural production. The new order and rationality, alongside mechanisation in modes of production, saw art’s parallel discipline of architecture develop at an astonishing rate in the work of designers such as Le Corbusier and Gerrit Rietveld. It was the era of the Bauhaus and the idea of a common discipline across all the creative arts. Most, if not all, of the key art movements we associate with modern and contemporary art can be viewed to source many of their crucial founding principles in the incredible diversity of art produced during this time.