José Ramón Morquecho Barral
José Ramón Morquecho Barral is regarded as a well established artist. José Ramón Morquecho Barral was born in 1946. Also born in 1946 and of this same generation are David Fitts, Alberte Garibbo, John Cederquist, Patricio Bonta, and André Mattia.
Further Biographical Context for José Ramón Morquecho Barral
José Ramón Morquecho Barral was born in 1946 and was largely inspired creatively by the 1960s growing up. Artistically, the decade began with the twin movements of Pop and Minimalism emerging alongside each other. On one hand, Pop championed the visual culture of the mainstream and mass media, and of products and consumerism. The work of art by artists such as Andy Warhol, Roy Lichtenstein, Tom Wesselmann and Claes Oldenberg was inspired by the popular culture of the rapidly developing Capitalism of the United States, using things like advertising, comic books and ideas surrounding celebrity culture as their primary visual cues. A parallel movement developed on the West Coast in California - a strain that also related to language in art, and is viewed as the initial developments of conceptual art. Minimalism developed a formal language with no external references, based solely on line, colour and geometric form as key elements of both painting and sculpture. The main figures of Minimalism included Frank Stella, Donald Judd and Agnes Martin. Pop Art was a powerful offshoot of minimalism, a discipline made famous by through the work of artists such as Victor Vasarely and Bridget Riley. Globally, a number of artistic movements echoed the creative concerns of the above mentioned movements, often with regional fortes and nuance. In Italy, Lucio Fontana and Piero Manzoni developed Spatialism, and in Germany the Zero group under the leadership of Gunter Uecker espoused similar ideas. The influential school of Existentialist Philosophy was an important source of inspiration for artists, with artists like Francis Bacon and Alberto Giacometti achieving international prominence for their distinguishing approaches to the human form and the anguish related to the human condition.