José Maia Da
Further Biographical Context for José Maia Da
Born in 1944, José Maia Da was predominantly inspired by the 1960s. The astronomical impact of the 1960s was truly astonishing across the globe. Illustrative of a time stirring both hope and anger, the 1960s prompted an outburst of cutting-edge ideologies and movements, truly exciting and ground-breaking. Historically set in the context of the Cold War, which would have a highly powerful impact internationally, mainly defined by the Iron Curtain dividing Europe both physically and spiritually, and significantly marked by the construction of the Berlin Wall in 1961. The 1960s re-defined all pre-existing expectations on gender, race and justice, questioned education as well as morality and selfhood – for instance through the civil rights movement and second wave of feminism, as well as student political uprisings. The significant escalation of mass consumerism also defined the era, generating new trends in marketing and advertising. Minimalism established the central idea that art should subsist in its own reality, and not try to represent the physical world. Born of a desire to erase all pre-established conceptions about art, Minimalism became a radically progressive movement, highly influential worldwide, with artists such as Frank Stella, Donald Judd and Dan Flavin as key figures. Minimalism became influential through the works of artists such as Victor Vasarely and Bridget Riley, while Pop art was an essential by-product of the latter, at the same time critiquing and glorifying popular culture. The iconic contemporary art movements that reverberated through the wave of radicalism of the 1960s also had their own nuances and scopes, distinctive to different areas or countries. Spatialism, for instance, was established in Italy by Lucio Fontana and Piero Manzoni, and its ideologies embraced by the Zero group in Germany. Across Europe, the ideologies of Existentialism strongly influenced artists such as Francis Bacon and Alberto Giacometti, who sought to portray the raw human emotions often associated with reflections on death and the haunting angst of the meaninglessness of life.