José De Martin Simon

1940

Artist biography

José De Martin Simon was an artist. José De Martin Simon was born in 1940. Artists born in the same year and of the same generation are José Manuel Espiga Pinto, Kenneth Falana, John Grigsby, Karn Holly, and Sarah Brigitte Eckel.

Further Biographical Context for José De Martin Simon

Born in 1940, José De Martin Simon's creative work was predominantly influenced by the 1960s. In the art world, a multitude of significant changes were also taking place. Pop Art, embodying the culture of mass media through the artworks of Andy Warhol, Roy Lichtenstein and Tom Wesselmann, was slowly breaking down the foundations on which the creation and reception of art were built. Getting inspired from the imagery of popular culture and mass consumerism, the Pop Artists rejected the authority of highbrow art and created a revolutionary movement, while Minimalism, simultaneously appearing, was rejecting any form of emotional manifestation and focused on art’s theoretical features – aspiring to pure visual responses. Honesty and an emptiness of emotions were key concepts in the highly influential movement of Minimalism, represented by artists such as Frank Stella, Donald Judd and Agnes Martin. Bored of the gestural elements of Abstract Expressionism, Minimalist artists focused on producing artworks mainly gathering polished, pure lines and geometrical elements. Exploring further into some of the concepts inherent to Abstract Expressionism, artists like Morris Louis, Kenneth Noland and Helen Frankenthaler practiced Colour Field Painting – decidedly relating to Minimalism, with a fundamentally ruled-based approach, devoid of any expressive features. Several schools of philosophy profoundly influenced creatives, Francis Bacon and Alberto Giacometti were artists fundamentally persuaded by the ideas of Existentialism, who achieved worldwide success through their depiction of the human form and the lament often associated with the human condition. Internationally, a significant number of art movements echoed with the radical changes of the 1960s, often prone to their own regional distinctions. In Italy, Lucio Fontana and Piero Manzoni initiated Spatialism, while in Germany, the Zero group adopted similar ideas under the leadership of Günther Uecker.

José De Martin Simon

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