John Moilanen is considered as a well established. John Moilanen was born in 1948. Artists like Li Xiufeng, Janneke Brinkman-Salentijn, Jürgen Krämer, Benedetta Gräfin Von Collenberg, and Janet Deboos were also born in 1948.
Further Biographical Context for John Moilanen
Born in 1948, John Moilanen's creative work was predominantly influenced by the 1960s. Art turned into a vehicle for dogmas and other agendas, with Pop and Minimalism appearing simultaneously as the most significant art movements of the decade. Pop Art in New York city embraced the culture of mass media and mass consumerism, with Artists such as Andy Warhol, Roy Lichtenstein and Tom Wesselmann getting stimulated by television, comic strips, billboards and other products of the rise of Capitalism for their artworks. On the other side of the country, the West Coast in California, the first elements of what would be known as Conceptual art were developing. Minimalism developed the central idea that art should exist in its own reality, and not try to represent the real world. Born of a desire to obliterate all pre-established notions about art, Minimalism turned into a radically progressive movement, highly influential worldwide, with artists such as Frank Stella, Donald Judd and Dan Flavin as key figures. Morris Louis, Kenneth Noland and Helen Frankenthaler were artists who sought to explore further some of the most fundamental ideologies of Abstract Expressionism, while eliminating the emotional and highly personal aspect it would often associated with it. This led to the creation of Colour Field painting, deeply relating to Minimalism. The iconic contemporary art movements that reverberated through the wave of radicalism of the 1960s also had their own distinctions and scopes, distinctive to different regions or countries. Spatialism, for example, was founded in Italy by Lucio Fontana and Piero Manzoni, and its ideologies adopted by the Zero group in Germany. Across Europe, the philosophy of Existentialism deeply influenced artists such as Francis Bacon and Alberto Giacometti, who sought to portray the raw human emotions often connected to reflections on death and the lingering angst of the meaninglessness of life.