1945 - 2005
John Matassa was a creative artist. John Matassa was born in 1945 and died in 2005. Artists like Alvaro Da Costa Gonzaga, Espen Tveit, Rajne Dangova, Muzaffer Akyol, and Olwen Jones were also born in 1945.
Further Biographical Context for John Matassa
Born in 1945, John Matassa was largely inspired by the 1960s growing up. Art turned into a vehicle for ideologies and other agendas, with Pop and Minimalism appearing simultaneously as the most significant art movements of the decade. Pop Art in New York city embraced the culture of mass media and mass consumerism, with Artists such as Andy Warhol, Roy Lichtenstein and Tom Wesselmann getting stimulated by television, comic strips, billboards and other products of the rise of Capitalism for their artworks. On the other side of the country, the West Coast in California, the first features of what would be known as Conceptual art were developing. Minimalism developed the central idea that art should exist in its own reality, and not try to represent the real world. Born of a desire to eradicate all pre-established notions about art, Minimalism became a radically progressive movement, highly influential worldwide, with artists such as Frank Stella, Donald Judd and Dan Flavin as key actors. Morris Louis, Kenneth Noland and Helen Frankenthaler were artists who sought to delve into some of the most fundamental philosophies of Abstract Expressionism, while eliminating the expressive and highly personal aspect it would often associated with it. This led to the creation of Colour Field painting, deeply identifying with Minimalism. The iconic contemporary art movements that reverberated through the wave of radicalism of the 1960s also had their own nuances and scopes, distinctive to different areas or countries. Spatialism, for example, was established in Italy by Lucio Fontana and Piero Manzoni, and its ideologies adopted by the Zero group in Germany. Throughout Europe, the philosophy of Existentialism strongly influenced artists such as Francis Bacon and Alberto Giacometti, who strived to portray the raw human emotions often associated with reflections on death and the lingering angst of the meaninglessness of life.