Johanna Elisabeth Van De Coppens Rijt
Johanna Elisabeth Van De Coppens Rijt is a contemporary artist considered well established, Johanna Elisabeth Van De Coppens Rijt was born in 1943. Artists like Rodolfo Bersani, Chief Jimoh Buraimoh, Rita Beler, Lilo Brockmann, and Inge Mahn were also born in 1943.
Further Biographical Context for Johanna Elisabeth Van De Coppens Rijt
Johanna Elisabeth Van De Coppens Rijt was born in 1943 and was largely influenced creatively by the 1960s growing up. Art turned into a vehicle for dogmas and other agendas, with Pop and Minimalism appearing concurrently as the most significant art movements of the decade. Pop Art in New York city embraced the culture of mass media and mass consumerism, with Artists such as Andy Warhol, Roy Lichtenstein and Tom Wesselmann getting inspired by television, comic strips, billboards and other products of the rise of Capitalism for their artworks. On the other side of the country, the West Coast in California, the first elements of what would be known as Conceptual art were blossoming. Minimalism developed the crucial idea that art should exist in its own reality, and not try to represent the physical world. Born of a desire to obliterate all pre-established conceptions about art, Minimalism became a radically progressive movement, highly influential worldwide, with artists such as Frank Stella, Donald Judd and Dan Flavin as key figures. Minimalism became significant through the works of artists such as Victor Vasarely and Bridget Riley, while Pop art was a fundamental by-product of the latter, simultaneously critiquing and glorifying popular culture. The iconic contemporary art movements that echoed through the wave of radicalism of the 1960s also had their own nuances and scopes, particular to different areas or countries. Spatialism, for instance, was established in Italy by Lucio Fontana and Piero Manzoni, and its ideologies embraced by the Zero group in Germany. Throughout Europe, the ideologies of Existentialism strongly influenced artists like Francis Bacon and Alberto Giacometti, who strived to portray the raw human emotions often associated with reflections on death and the haunting anxiety of the meaninglessness of life.