1921 · United States
Joe Stefanelli is a contemporary artist considered well established, who originates from the United States. Joe Stefanelli was born in 1921. Some of the artist's contemporarie that are from the same generation and country include Ray Harryhausen, Gene Davis, Diane Arbus, Ellsworth Kelly and Roy Lichenstein.
Joe Stefanelli's Gallery representation
Joe Stefanelli is represented by Galerie Barbara von Stechow in Frankfurt, Germany.
Historical Context of United States
The United States, especially New York city, endures as a focal point that has played a significant role in developing modern and contemporary art in the twentieth century. The idea of New York as a new multinational and highly influential art hub emerged in the post war era, and the city succeeded in affirming its dominance over Paris, which used to be regarded as the most powerful global art capital. The authority of the political and economic institutions of the United States in the modern era has provided the country with a prevailing influence on the visual culture of the world. Abstract Expressionism, Pop Art, Minimalism, Conceptual Art, Neo-Expressionism, Graffiti and Street Art, are significant art movements that emerged in the US. These very movements also reverberated into a myriad of variations, such as diverse forms of Abstract Expressionism, as well as East and West Coast variants of Pop Art, among others. Some internationally distinguished U.S artists of the modern age include Jackson Pollock, Mark Rothko, Jasper Johns, Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Cindy Sherman, Barbara Kruger, Julian Schnabel, Jean-Michel Basquiat and Keith Haring.
Further Biographical Context for Joe Stefanelli
Joe Stefanelli was born in 1921 and was primarily influenced by the 1930s. globally this period can be best characterised by the duelling of the world’s leading political philosophies - Marxist Socialism, Capitalist Democracy, and the Totalitarianism of both Communism and Fascism. In the Soviet Union, Stalin’s government needed urgent funds to implement the rapid industrialisation demanded by the first Five Year Plan. It initiated a secret proposal to sell off treasures from the State Hermitage Museum in Leningrad (St. Petersburg), including a primary list of two hundred and fifty irreplaceable paintings by the Old Masters, many of which found their way to the collection of Andrew Mellon via the New York based art dealing company, Knoedler.