1950 · United States
Joann Verburg is an established contemporary artist, who originates from the United States. Joann Verburg was born in 1950. Some of the artist's contemporaries that are born around the same year and in the same country include Chuck Close, Dale Chihuly, Bruce Nauman, James Turrell and Barbara Kruger.
Galleries and Exhibitions
Joann Verburg's work is on display at Pace/MacGill Gallery in New York, the United States. Joann Verburg most recent exhibition recorded on Artland was at Pace/MacGill Gallery in New York with the exhibition Group Exhibition. The exhibition was open from 15 July 2019 until 25 August 2019.
Historical Context of United States
The United States, especially New York city, remains as a focal point that has played a substantial role in developing modern and contemporary art in the twentieth century. The concept of New York as a new multinational and highly influential art hub came to be in the post war era, and the city thrived in asserting its dominance over Paris, which used to be regarded as the most powerful global art capital. The predominance of the political and economic institutions of the United States in the modern era has provided the country with a powerful influence on the visual culture of the world. Abstract Expressionism, Pop Art, Minimalism, Conceptual Art, Neo-Expressionism, Graffiti and Street Art, are significant art movements that emerged in the US. These very movements also echoed into a multitude of variations, such as diverse forms of Abstract Expressionism, as well as East and West Coast variants of Pop Art, among others. Some internationally distinguished U.S artists of the modern age include Jackson Pollock, Mark Rothko, Jasper Johns, Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Cindy Sherman, Barbara Kruger, Julian Schnabel, Jean-Michel Basquiat and Keith Haring.
Further Biographical Context for Joann Verburg
Born in 1950, Joann Verburg's creative work was predominantly influenced by the 1960s. The astronomical impact of the 1960s was truly astonishing across the globe. Illustrative of a time stirring both faith and anger, the 1960s triggered an outburst of new philosophies and movements, truly exciting and ground-breaking. Historically set in the context of the Cold War, which would have a highly influential impact internationally, mainly defined by the Iron Curtain separating Europe both physically and spiritually, and drastically marked by the erection of the Berlin Wall in 1961. The 1960s re-defined all pre-existing expectations on gender, race and justice, questioned education as well as morality and selfhood – for instance through the civil rights movement and second wave of feminism, as well as student political uprisings. The significant boom of mass consumerism also defined the era, engendering new trends in marketing and advertising. Minimalism developed the central idea that art should exist in its own reality, and not try to mimic the real world. Born of a desire to obliterate all pre-established conceptions about art, Minimalism turned into a radically progressive movement, highly influential worldwide, with artists such as Frank Stella, Donald Judd and Dan Flavin as key actors. Morris Louis, Kenneth Noland and Helen Frankenthaler were artists who sought to delve into some of the most fundamental philosophies of Abstract Expressionism, while eliminating the expressive and highly personal aspect it would often associated with it. This led to the creation of Colour Field painting, deeply identifying with Minimalism. The iconic contemporary art movements that reverberated through the wave of radicalism of the 1960s also had their own distinctions and scopes, particular to different areas or countries. Spatialism, for example, was established in Italy by Lucio Fontana and Piero Manzoni, and its ideologies adopted by the Zero group in Germany. Throughout Europe, the philosophy of Existentialism deeply influenced artists like Francis Bacon and Alberto Giacometti, who sought to portray the raw human emotions often connected to reflections on death and the haunting angst of the meaninglessness of life.
- Galleries Representing this Artist