1944 - 2017
Joan Mora was an artist. Born in 1944, Joan Mora passed away in 2017. Artists born in the same year and of the same generation are José María Cuasante, Richard Dahlquist, Konstantin Kuznetsov, Jean-Daniel Cadinot, and Silvia Halley.
Further Biographical Context for Joan Mora
Joan Mora was born in 1944 and was largely influenced creatively by the 1960s growing up. The 1960s were an explosive decade internationally, bearing witness to proliferation of modernist philosophies and trends. It was the era of Kennedy and Kruschev, and the start of the Cold War, which would endure for most of the second half of the 20th century, and was characterised most symbolically by the construction of the Berlin Wall in 1961. The Iron Curtain divided Eastern and Western Europe, both ideologically and literally, and student political uprisings took place across the globe. Psychedelia, an massive increase in consumerism, and the associated trends of marketing and advertising further defined the era. Minimalism developed a formal language with no external references, focused solely on line, colour and geometric form as key components of both painting and sculpture. The main figures of Minimalism included Frank Stella, Donald Judd and Agnes Martin. Colour Field painting, as practiced by Morris Louis, Kenneth Noland and Helen Frankenthaler, further developed some of the expressive ideas of Abstract Expressionism, but removed much of the rhetoric, instead approaching a more rule-based approach to surface and colour that associated this practice with Minimalism. Globally, many artistic movements resonated the creative concerns of the above mentioned movements, often with regional specialisms and nuance. In Italy, Lucio Fontana and Piero Manzoni developed Spatialism, and in Germany the Zero group under the leadership of Gunter Uecker espoused similar ideas. The influential school of Existentialist Philosophy was an important source of inspiration for artists, with artists like Francis Bacon and Alberto Giacometti achieving international prominence for their idiosyncratic approaches to the human form and the anguish related to the human condition.