1957 · Germany
Joachim Grommek is an established artist, who originates from Germany. Joachim Grommek was born in 1957. Some of the artist's contemporaries that are born around the same year and in the same country include Andreas Gursky and Thomas Ruff.
Galleries and Exhibitions
Joachim Grommek's work is available on viewing in Zwinger Galerie and Taubert Contemporary in Berlin, Germany. Joachim Grommek most recent exhibition recorded on Artland was at Hopstreet in Brussels (11 May 2019 until 05 July 2019) with the exhibition VISIBLE – INVISIBLE. Joachim Grommek's other most recent exhibitions recorded on Artland include the exhibitions; Stützmappe (25 April 2019 - 04 June 2019) at BORCHs Butik in Copenhagen and high end (17 February 2018 - 14 April 2018) at Taubert Contemporary in Berlin. Joachim Grommek's first listed exhibition in Artland's database was called high end and took place at Taubert Contemporary in Berlin, Germany from the 17 February 2018 to 14 April 2018.
Joachim Grommek currently has one work available for purchase on Artland.
Further Biographical Context for Joachim Grommek
Joachim Grommek was born in 1957 and was predominantly inspired by the 1970s. Conceptualism is often perceived as a response to Minimalism, and the leading art movement of the 1970s, challenging the boundaries of art with its revolutionary features. The movements that succeeded were all characteristic of a strong desire to progress and strengthen the art world, in response to the tensions of the previous decade. Process art branched out from Conceptualism, highlighting some of its most essential aspects, but going further in creating mysterious and experimental artistic journeys, while Land Art brought creation to the outsides, initiating early ideas of environmentalism. In Germany, Expressive figure painting was given another chance for the first time since the decline of Abstract Expressionism almost two decades, the genre regained its prominence through the brushstrokes of Gerhard Richter, Anselm Kiefer and Georg Baselitz. The multicultural and sophisticated position that New York city held in the 1960s remained just as influential in the 1970s. With multiple international renowned artists gravitating the galleries and downtown scene, the city once again reinforced its reputation as the artistic hub of the generation. Street art started to emerge as a true and accepted form of art towards the end of the 1970s. Jean-Michel Basquiat and Keith Haring were pioneers in proving that their artworks could exist at the same time in art galleries and on city walls. Driven by graffiti art, street art from its earliest days showed that it could endure in a constant flux of self-transformation, endlessly shifting the boundaries of modern art, becoming a truly ground-breaking artistic genre.