Jiří Mocek is considered as a well established. Jiří Mocek was born in 1945. Artists born in the same year and of the same generation are Umran Baradan, Kevin Joseph Cheney, Jacques Laroussinie, Mareike Geys, and Jean-Philippe Guéant.
Further Biographical Context for Jiří Mocek
Born in 1945, Jiří Mocek was predominantly inspired by the 1960s growing up. The 1960s were a sensational decade internationally, witnessing a proliferation of modernist ideas and trends. It was the era of Kennedy and Kruschev, and the beginning of the Cold War, which would endure for most of the second half of the 20th century, and was characterised most symbolically by the construction of the Berlin Wall in 1961. The Iron Curtain divided Eastern and Western Europe, both ideologically and literally, and student political uprisings took place around the world. Psychedelia, an vast increase in consumerism, and the associated trends of marketing and advertising further epitomised the era. Minimalism developed a formal language with no external references, based solely on line, colour and geometric form as key constituents of both painting and sculpture. The main figures of Minimalism included Frank Stella, Donald Judd and Agnes Martin. Colour Field painting, as practiced by Morris Louis, Kenneth Noland and Helen Frankenthaler, further explored some of the expressive philosophies of Abstract Expressionism, but removed much of the rhetoric, instead approaching a more rule-based approach to surface and colour that associated this practice with Minimalism. Globally, many artistic movements echoed the artistic concerns of the previously mentioned movements, often with regional specialties and nuance. In Italy, Lucio Fontana and Piero Manzoni developed Spatialism, and in Germany the Zero group under the leadership of Gunter Uecker adopted similar ideas. The influential school of Existentialist Philosophy was an important source of creativity for artists, with artists like Francis Bacon and Alberto Giacometti becoming known worldwide for their distinguishing approaches to the human form and the anguish related to the human condition.