1944 · United States
Jimmy Wright is an established contemporary visual artist, who was born and brought up in the United States. Jimmy Wright was born in 1944. Born in the same country and around the same year are Chuck Close, Dale Chihuly, Bruce Nauman, James Turrell and Barbara Kruger.
Galleries and Exhibitions
Jimmy Wright's work is on display in two galleries, which are Fierman in New York, the United States and Corbett vs. Dempsey in Chicago, the United States. Jimmy Wright most recent exhibition recorded on Artland was at Fierman in New York (06 September 2019 until 12 October 2019) with the exhibition The Queens Court. Jimmy Wright's work has also been exhibited during the THE SEAM, THE FAULT, THE FLAW exhibition at Greenspon in New York, the United States (28 June 2018 - 03 August 2018).
Historical Context of United States
The United States has been a major country in the development of modern and contemporary art in the twentieth century, especially in the post war period, when the cultural importance of New York asserted its influence over Paris, previously thought of as the most significant art hub internationally. Major art movements developed and fostered in extensive ways throughout the United States include Abstract Expressionism in varied forms, Pop Art, including its West and East Coast branches, Minimalism, Conceptual Art, Neo-Expressionism, Graffiti and Street Art, plus various post-modern repetitions of these many types. In the modern and contemporary period, the United States has exercised a prevailing influence over the international visual culture, due to the dominion of its economic and political institutions. Key examples of critically acclaimed U.S artists of the modern and contemporary period include Jackson Pollock, Mark Rothko, Jasper Johns, Robert Rauschenberg, Cy Twombly, Andy Warhol, Roy Lichtenstein, Frank Stella, Donald Judd, Cindy Sherman, Barbara Kruger, Julian Schnabel, Jean-Michel Basquiat and Keith Haring.
Further Biographical Context for Jimmy Wright
Jimmy Wright was born in 1944 and was primarily inspired creatively by the 1960s growing up. In the art sphere, a multitude of significant changes were also taking place. Pop Art, embracing the culture of mass media through the artworks of Andy Warhol, Roy Lichtenstein and Tom Wesselmann, was slowly breaking down the bases on which the production and reception of art were built. Getting inspired from the imagery of popular culture and mass consumerism, the Pop Artists refuted the authority of highbrow art and created a ground-breaking movement, while Minimalism, simultaneously appearing, was rejecting any form of emotional manifestation and focused on art’s theoretical features – aspiring to pure visual responses. Simplicity and an void of emotions were key concepts in the highly influential movement of Minimalism, represented by artists such as Frank Stella, Donald Judd and Agnes Martin. Bored of the gestural elements of Abstract Expressionism, Minimalist artists focused on producing artworks mainly composed of polished, clean lines and geometrical elements. Digging further into some of the concepts inherent to Abstract Expressionism, artists like Morris Louis, Kenneth Noland and Helen Frankenthaler practiced Colour Field Painting – strongly relating to Minimalism, with an essentially ruled-based approach, devoid of any emotional features. Several schools of philosophy profoundly influenced creatives, Francis Bacon and Alberto Giacometti were artists fundamentally persuaded by the ideologies of Existentialism, who achieved worldwide success through their depiction of the human form and the lament often linked to the human condition. globally, a significant number of art movements resounded with the radical changes of the 1960s, often prone to their own regional distinctions. In Italy, Lucio Fontana and Piero Manzoni created Spatialism, while in Germany, the Zero group adopted similar ideas under the leadership of Günther Uecker.