1916 · Italy
Jimmy Raskin is an established contemporary visual artist, who was born and brought up in Italy. Jimmy Raskin was born in 1916. Born in the same country and of the same generation are Pietro Annigoni and Alberto Burri.
Jimmy Raskin's Gallery representation
Jimmy Raskin's work is on display at Miguel Abreu Gallery located in New York, the United States.
Historical Context of Italy
Italy has been tremendously sumptuous in cultural influence since the time of the Romans, this classical period has exerted a significant influence on the cultural growth and identity of the country. Italy represents the realm of the Renaissance, called 'Rinascita' in Italian, signifying 'rebirth'. The Renaissance has been considered, from the early 1400s, as the first major blossoming of cultural sophistication in art, architecture, music, poetry, philosophy and politics since the Middle Ages. During the modern and contemporary period, Italy was tormented by the fascism of Mussolini but has nonetheless endured as an important centre for artistic expression, initiating movements such as Futurism, Arte Povera and the Minimalism related to the Zero Movement, as well as the expressive painting of the Transavanguardia. Important Italian artists of the twentieth and twenty first centuries include Giorgio Di Chirico, Giacomo Balla, Giorgio Morandi, Alberto Giacometti, Lucio Fontana, Michelangelo Pistoletto, Francesco Clemente and Mimmo Paladino.
Further Biographical Context for Jimmy Raskin
Jimmy Raskin was born in 1916 and was primarily inspired by the 1930s. Throughout the 1930s, many political ideologies such as Marxist Socialism, Capitalist Democracy, and the Totalitarianism of both Communism and Fascism were engaged in struggles for power, and epitomised the political atmosphere of the era. In the Soviet Union, Stalin’s government was in dire need of urgent funds to implement the industrialisation of the Five Year Plan. In a stealthy bid to acquire funds, the government proposed to sell off assets from the State Hermitage Museum in Leningrad (St. Petersburg), which included some two hundred and fifty paintings by the Old Masters, a number of which had been deemed irreplaceable. Many of the pieces came to be owned by Andrew Mellon, via the New York based art dealing company, Knoedler.
- Galleries Representing this Artist